Soviet Cinema in the Silent Era, 1918–1935 / / Denise J. Youngblood.

• Superior document: Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
• VerfasserIn: Youngblood, Denise J.,
• Place / Publishing House: Austin : : University of Texas Press, , [2021]; ©1991
• Year of Publication: 2021
• Language: English
• Series: Texas Film and Media Studies Series
• Physical Description: 1 online resource (352 p.)
• Other title: Frontmatter --; Contents --; Preface --; Preface to the Paperback Edition --; Introduction --; 1 Beginnings (1918-23) --; 2 The Turning Point (1924) --; 3 The New Course: Sovkino Policy and Industry Response (1925-26) --; 4 Filmmaking and Films (1925-26) --; 5 Sovkino under Fire (1927-28) --; 6 The Crisis in Production (1927-28) --; 7 The Party Conference and the Attempt to Restructure (1928-29) --; 8 The Purge Years and the Struggle against Formalism (1929-34) --; 9 The Advent of Sound and the Triumph of Realism (1928-35) --; Conclusion --; Appendix 1 Film Production by Studio by Year (1918-35) --; Appendix 2 Genres by Year (1918-35) --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780292761100; 9783110745351
• DOI: 10.7560/776456
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Denise J. Youngblood.

The golden age of Soviet cinema, in the years following the Russian Revolution, was a time of both achievement and contradiction, as reflected in the films of Eisenstein, Pudovkin, and Kuleshov. Tensions ran high between creative freedom and institutional constraint, radical and reactionary impulses, popular and intellectual cinema, and film as social propaganda and as personal artistic expression. In less than a decade, the creative ferment ended, subjugated by the ideological forces that accompanied the rise of Joseph Stalin and the imposition of the doctrine of Socialist Realism on all the arts. Soviet Cinema in the Silent Era, 1918–1935 records this lost golden age. Denise Youngblood considers the social, economic, and industrial factors that influenced the work of both lesser-known and celebrated directors. She reviews all major and many minor films of the period, as well as contemporary film criticism from Soviet film journals and trade magazines. Above all, she captures Soviet film in a role it never regained—that of dynamic artform of the proletarian masses.