Cinema, Slavery, and Brazilian Nationalism / / Richard A. Gordon.
A unique contribution to film studies, Richard Gordon’s Cinema, Slavery, and Brazilian Nationalism is the first full-length book on Brazilian films about slavery. By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influenc...
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2015 |
Year of Publication: | 2021 |
Language: | English |
Series: | Cognitive Approaches to Literature and Culture Series
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Physical Description: | 1 online resource (286 p.) |
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Gordon, Richard A., author. aut http://id.loc.gov/vocabulary/relators/aut Cinema, Slavery, and Brazilian Nationalism / Richard A. Gordon. Austin : University of Texas Press, [2021] ©2015 1 online resource (286 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Cognitive Approaches to Literature and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One. Influencing Understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) -- Chapter Two. Modeling National Identity on Religious Identity in Cafundó (2005) -- Chapter Three. Multiple, Provisional, National Identity Models in Quilombo (1984) -- Chapter Four. Alternative Understandings of the National Community in Chico Rei (1985) -- Chapter Five. Flirting with Viewers and Precariously Rethinking Brazilianness in Xica da Silva (1976) -- Notes -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A unique contribution to film studies, Richard Gordon’s Cinema, Slavery, and Brazilian Nationalism is the first full-length book on Brazilian films about slavery. By studying Brazilian films released between 1976 and 2005, Gordon examines how the films both define the national community and influence viewer understandings of Brazilianness. Though the films he examines span decades, they all communicate their revised version of Brazilian national identity through a cinematic strategy with a dual aim: to upset ingrained ways of thinking about Brazil and to persuade those who watch the films to accept a new way of understanding their national community. By examining patterns in this heterogeneous group of films, Gordon proposes a new way of delineating how these films attempt to communicate with and change the minds of audience members. Gordon outlines five key aspects that each film incorporates, which describe their shared formula for and role in constructing social identity. These elements include the ways in which the films attempt to create links between the past and the viewers’ present and their methods of encouraging viewers to identify with their protagonists, who are often cast as a prototype for the nation. By aligning themselves with this figure, viewers arrive at a definition of their national identity that, while Afrocentric, also promotes racial and ethnic inclusiveness. Gordon’s innovative analysis transcends the context of his work, and his conclusions can be applied to questions of national identity and film across cultures. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Motion pictures Political aspects Brazil. Motion pictures Social aspects Brazil. Nationalism in motion pictures. Slavery in motion pictures. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 9783110745337 https://doi.org/10.7560/760974 https://www.degruyter.com/isbn/9780292760981 Cover https://www.degruyter.com/document/cover/isbn/9780292760981/original |
language |
English |
format |
eBook |
author |
Gordon, Richard A., Gordon, Richard A., |
spellingShingle |
Gordon, Richard A., Gordon, Richard A., Cinema, Slavery, and Brazilian Nationalism / Cognitive Approaches to Literature and Culture Series Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One. Influencing Understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) -- Chapter Two. Modeling National Identity on Religious Identity in Cafundó (2005) -- Chapter Three. Multiple, Provisional, National Identity Models in Quilombo (1984) -- Chapter Four. Alternative Understandings of the National Community in Chico Rei (1985) -- Chapter Five. Flirting with Viewers and Precariously Rethinking Brazilianness in Xica da Silva (1976) -- Notes -- Works Cited -- Index |
author_facet |
Gordon, Richard A., Gordon, Richard A., |
author_variant |
r a g ra rag r a g ra rag |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Gordon, Richard A., |
title |
Cinema, Slavery, and Brazilian Nationalism / |
title_full |
Cinema, Slavery, and Brazilian Nationalism / Richard A. Gordon. |
title_fullStr |
Cinema, Slavery, and Brazilian Nationalism / Richard A. Gordon. |
title_full_unstemmed |
Cinema, Slavery, and Brazilian Nationalism / Richard A. Gordon. |
title_auth |
Cinema, Slavery, and Brazilian Nationalism / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One. Influencing Understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) -- Chapter Two. Modeling National Identity on Religious Identity in Cafundó (2005) -- Chapter Three. Multiple, Provisional, National Identity Models in Quilombo (1984) -- Chapter Four. Alternative Understandings of the National Community in Chico Rei (1985) -- Chapter Five. Flirting with Viewers and Precariously Rethinking Brazilianness in Xica da Silva (1976) -- Notes -- Works Cited -- Index |
title_new |
Cinema, Slavery, and Brazilian Nationalism / |
title_sort |
cinema, slavery, and brazilian nationalism / |
series |
Cognitive Approaches to Literature and Culture Series |
series2 |
Cognitive Approaches to Literature and Culture Series |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (286 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Chapter One. Influencing Understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) -- Chapter Two. Modeling National Identity on Religious Identity in Cafundó (2005) -- Chapter Three. Multiple, Provisional, National Identity Models in Quilombo (1984) -- Chapter Four. Alternative Understandings of the National Community in Chico Rei (1985) -- Chapter Five. Flirting with Viewers and Precariously Rethinking Brazilianness in Xica da Silva (1976) -- Notes -- Works Cited -- Index |
isbn |
9780292760981 9783110745337 |
geographic_facet |
Brazil. |
url |
https://doi.org/10.7560/760974 https://www.degruyter.com/isbn/9780292760981 https://www.degruyter.com/document/cover/isbn/9780292760981/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43655 |
dewey-sort |
3791.43 3655 |
dewey-raw |
791.43 655 |
dewey-search |
791.43 655 |
doi_str_mv |
10.7560/760974 |
oclc_num |
1280945166 |
work_keys_str_mv |
AT gordonricharda cinemaslaveryandbraziliannationalism |
status_str |
n |
ids_txt_mv |
(DE-B1597)588366 (OCoLC)1280945166 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Cinema, Slavery, and Brazilian Nationalism / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
_version_ |
1806143135986745345 |
fullrecord |
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