Hollywood Exile, or How I Learned to Love the Blacklist / / Bernard Gordon.
The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what i...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2000 |
| Year of Publication: | 2021 |
| Language: | English |
| Series: | Texas Film and Media Studies Series
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| Online Access: | |
| Physical Description: | 1 online resource (335 p.) |
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| 100 | 1 | |a Gordon, Bernard, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Hollywood Exile, or How I Learned to Love the Blacklist / |c Bernard Gordon. |
| 264 | 1 | |a Austin : |b University of Texas Press, |c [2021] | |
| 264 | 4 | |c ©2000 | |
| 300 | |a 1 online resource (335 p.) | ||
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| 490 | 0 | |a Texas Film and Media Studies Series | |
| 505 | 0 | 0 | |t Frontmatter -- |t Dedication -- |t Preface -- |t Acknowledgments -- |t 1 -- |t 2 -- |t 3 -- |t 4 -- |t 5 -- |t 6 -- |t 7 -- |t 8 -- |t 9 -- |t 10 -- |t 11 -- |t 12 -- |t 13 -- |t 14 -- |t 15 -- |t 16 -- |t 17 -- |t 18 -- |t 19 -- |t 20 -- |t 21 -- |t 22 -- |t 23 -- |t 24 -- |t 25 -- |t Filmography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 | |a Blacklisting of authors |z United States. | |
| 650 | 0 | |a Motion picture producers and directors |z United States |v Biography. | |
| 650 | 0 | |a Screenwriters |z United States |v Biography. | |
| 650 | 7 | |a PERFORMING ARTS / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Texas Press eBook-Package Backlist 2000-2013 |z 9783110745344 |
| 856 | 4 | 0 | |u https://doi.org/10.7560/728271 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780292756403 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780292756403/original |
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