The Mexican American Orquesta : : Music, Culture, and the Dialectic of Conflict / / Manuel Peña.

The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©1999
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (364 p.)
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245 1 4 |a The Mexican American Orquesta :  |b Music, Culture, and the Dialectic of Conflict /  |c Manuel Peña. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©1999 
300 |a 1 online resource (364 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Illustrations --   |t Acknowledgments --   |t PRELUDE Music, Culture, and Dialectical Interpretation --   |t EXPOSITION Mexicans and Anglos in the Southwest: The Dialectic of Conflict --   |t PART ONE ORIGINS --   |t CHAPTER 1 Bailes and Fandangos: Music and Social Division in the Nineteenth Century --   |t CHAPTER 2 The Dawning of a New Age: Musical Developments, 1910 to 1940 --   |t PART TWO THE MEXICAN AMERICAN ERA --   |t CHAPTER 3 Orquesta's Social Base: The Mexican American Generation --   |t CHAPTER 4 The Formative Years of Orquesta: The Texas-Mexican Connection --   |t CHAPTER 5 The Los Angeles Tradition: Triumph of the Anti-Ranchero --   |t PART THREE THE CHICANO ERA --   |t CHAPTER 6 The Chicano Generation: Conflict, Contradiction, and Synthesis --   |t CHAPTER 7 La Onda Chicana --   |t CHAPTER 8 Ethnography: The Orquesta Tradition in Fresno --   |t CODA Music in the Post-Chicano Era --   |t Notes --   |t Selected Discography --   |t References Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Peña calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements—Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel Peña traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Dance orchestra music  |x History and criticism. 
650 0 |a Dance orchestra music-History and criticism. 
650 0 |a Mexican Americans  |z Southwestern States  |v Music  |x History and criticism. 
650 0 |a Mexican Americans  |z Southwestern States  |x Social life and customs. 
650 0 |a Mexican Americans-Southwestern States-Music-History and criticism. 
650 0 |a Mexican Americans-Southwestern States-Social life and customs. 
650 0 |a Popular music  |x Political aspects  |z Southwestern States. 
650 0 |a Popular music-Political aspects-Southwestern States. 
650 7 |a MUSIC / General.  |2 bisacsh 
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