Progressive Country : : How the 1970s Transformed the Texan in Popular Culture / / Jason Mellard.
During the early 1970s, the nation’s turbulence was keenly reflected in Austin’s kaleidoscopic cultural movements, particularly in the city’s progressive country music scene. Capturing a pivotal chapter in American social history, Progressive Country maps the conflicted iconography of “the Texan” du...
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| Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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| Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2013 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (288 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. “Too Much Ain’t Enough,” or, The Texan in the Late Twentieth Century
- 1 The Empire of Texas. Lone Star Regionalism Sets the Stage, 1936–1968
- 2 Home with the Armadillo. Austin’s Progressive Country Music Scene
- 3 This New Cross Between Baba Ram Dass and Sam Bass. Cosmic Cowboydom and the 1970s
- 4 The Vanishing Texan. The Party of the Fathers Realigns
- 5 You a Real Cowboy? Texas Chic in the Late Seventies
- Conclusion
- Notes
- Bibliography
- Index