Automotive Prosthetic : : Technological Mediation and the Car in Conceptual Art / / Charissa N. Terranova.
In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2014 |
Year of Publication: | 2021 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (361 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780292754508 |
---|---|
ctrlnum |
(DE-B1597)587580 (OCoLC)1280944217 |
collection |
bib_alma |
record_format |
marc |
spelling |
Terranova, Charissa N., author. aut http://id.loc.gov/vocabulary/relators/aut Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / Charissa N. Terranova. Austin : University of Texas Press, [2021] ©2014 1 online resource (361 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology -- Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space -- Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car -- Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work -- Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV -- Chapter 6. Richard Prince: The Fetish and Automotive Maleficium -- Conclusion The “Freedom” of Automotive Existence -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper. At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls “relations.” This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of “car art” and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Automobiles in art. Conceptual art Themes, motives. ART / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 9783110745337 https://doi.org/10.7560/754041 https://www.degruyter.com/isbn/9780292754508 Cover https://www.degruyter.com/document/cover/isbn/9780292754508/original |
language |
English |
format |
eBook |
author |
Terranova, Charissa N., Terranova, Charissa N., |
spellingShingle |
Terranova, Charissa N., Terranova, Charissa N., Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology -- Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space -- Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car -- Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work -- Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV -- Chapter 6. Richard Prince: The Fetish and Automotive Maleficium -- Conclusion The “Freedom” of Automotive Existence -- Notes -- Bibliography -- Index |
author_facet |
Terranova, Charissa N., Terranova, Charissa N., |
author_variant |
c n t cn cnt c n t cn cnt |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Terranova, Charissa N., |
title |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / |
title_sub |
Technological Mediation and the Car in Conceptual Art / |
title_full |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / Charissa N. Terranova. |
title_fullStr |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / Charissa N. Terranova. |
title_full_unstemmed |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / Charissa N. Terranova. |
title_auth |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / |
title_alt |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology -- Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space -- Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car -- Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work -- Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV -- Chapter 6. Richard Prince: The Fetish and Automotive Maleficium -- Conclusion The “Freedom” of Automotive Existence -- Notes -- Bibliography -- Index |
title_new |
Automotive Prosthetic : |
title_sort |
automotive prosthetic : technological mediation and the car in conceptual art / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (361 p.) |
contents |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology -- Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space -- Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car -- Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work -- Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV -- Chapter 6. Richard Prince: The Fetish and Automotive Maleficium -- Conclusion The “Freedom” of Automotive Existence -- Notes -- Bibliography -- Index |
isbn |
9780292754508 9783110745337 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N8217 |
callnumber-sort |
N 48217 A94 T47 42014EB |
url |
https://doi.org/10.7560/754041 https://www.degruyter.com/isbn/9780292754508 https://www.degruyter.com/document/cover/isbn/9780292754508/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
740 - Drawing & decorative arts |
dewey-ones |
743 - Drawing & drawings by subject |
dewey-full |
743/.89629222 |
dewey-sort |
3743 889629222 |
dewey-raw |
743/.89629222 |
dewey-search |
743/.89629222 |
doi_str_mv |
10.7560/754041 |
oclc_num |
1280944217 |
work_keys_str_mv |
AT terranovacharissan automotiveprosthetictechnologicalmediationandthecarinconceptualart |
status_str |
n |
ids_txt_mv |
(DE-B1597)587580 (OCoLC)1280944217 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
is_hierarchy_title |
Automotive Prosthetic : Technological Mediation and the Car in Conceptual Art / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package 2014-2015 |
_version_ |
1806143136560316416 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04636nam a22007095i 4500</leader><controlfield tag="001">9780292754508</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20212014txu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292754508</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/754041</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)587580</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1280944217</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">N8217.A94</subfield><subfield code="b">T47 2014eb</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">ART000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">743/.89629222</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Terranova, Charissa N., </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Automotive Prosthetic :</subfield><subfield code="b">Technological Mediation and the Car in Conceptual Art /</subfield><subfield code="c">Charissa N. Terranova.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (361 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Preface -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Chapter 1. Conceptual Car Art: Rethinking Conceptualism through Technology -- </subfield><subfield code="t">Chapter 2. Mobile Perception and the Automotive Prosthetic: Photoconceptualism, the Car, and Urban Space -- </subfield><subfield code="t">Chapter 3. The Nows of the Automotive Prosthetic: Moving Images, Time, and the Car -- </subfield><subfield code="t">Chapter 4. Communication Space: Automotive Urbanism in Dan Graham’s Work -- </subfield><subfield code="t">Chapter 5. Hummer: The Cultural Militarism of Art Based on the SUV -- </subfield><subfield code="t">Chapter 6. Richard Prince: The Fetish and Automotive Maleficium -- </subfield><subfield code="t">Conclusion The “Freedom” of Automotive Existence -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the twenty-first century, we are continually confronted with the existential side of technology—the relationships between identity and the mechanizations that have become extensions of the self. Focusing on one of humanity’s most ubiquitous machines, Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art combines critical theory and new media theory to form the first philosophical analysis of the car within works of conceptual art. These works are broadly defined to encompass a wide range of creative expressions, particularly in car-based conceptual art by both older, established artists and younger, emerging artists, including Ed Ruscha, Martha Rosler, Richard Prince, Sylvie Fleury, Yael Bartana, Jeremy Deller, and Jonathan Schipper. At its core, the book offers an alternative formation of conceptual art understood according to technology, the body moving through space, and what art historian, curator, and artist Jack Burnham calls “relations.” This thought-provoking study illuminates the ways in which the automobile becomes a naturalized extension of the human body, incarnating new forms of “car art” and spurring a technological reframing of conceptual art. Steeped in a sophisticated take on the image and semiotics of the car, the chapters probe the politics of materialism as well as high/low debates about taste, culture, and art. The result is a highly innovative approach to contemporary intersections of art and technology.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Automobiles in art.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Conceptual art</subfield><subfield code="x">Themes, motives.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">ART / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press Complete eBook-Package 2014-2015</subfield><subfield code="z">9783110745337</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/754041</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292754508</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780292754508/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074533-7 University of Texas Press Complete eBook-Package 2014-2015</subfield><subfield code="c">2014</subfield><subfield code="d">2015</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA18STMEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |