Woven on the Loom of Time : : Stories by Enrique Anderson-Imbert / / Enrique Anderson-Imbert.

Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press Complete eBook-Package Pre-2000
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Place / Publishing House:Austin : : University of Texas Press, , [2021]
©1990
Year of Publication:2021
Language:English
Series:Texas Pan American Series
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Physical Description:1 online resource (200 p.)
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100 1 |a Anderson-Imbert, Enrique,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Woven on the Loom of Time :  |b Stories by Enrique Anderson-Imbert /  |c Enrique Anderson-Imbert. 
264 1 |a Austin :   |b University of Texas Press,   |c [2021] 
264 4 |c ©1990 
300 |a 1 online resource (200 p.) 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t Selections from The Cheshire Cat (1965) --   |t Selections from The Swindler Retires (1969) --   |t Selections from Madness Plays at Chess (1971) --   |t Selections from Klein's Bottle (1971) --   |t Selections from Two Women and One Julian (1982) --   |t Selections from The Size of the Witches (1985) 
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520 |a Argentinian scholar and writer Enrique Anderson-Imbert is familiar to many North American students for his La Literatura de América Latina I and II, which are widely used in college Spanish courses. But Anderson-Imbert is also a noted creative writer, whose use of "magical realism" helped pave the way for such writers as Borges, Cortázar, Sábato, and Ocampo. In this anthology, Carleton Vail and Pamela Edwards-Mondragón have chosen stories from the period 1965 to 1985 to introduce English-speaking readers to the creative work of Enrique Anderson-Imbert. Representative stories from the collections The Cheshire Cat, The Swindler Retires, Madness Plays at Chess, Klein's Bottle, Two Women and One Julián, and The Size of the Witches illustrate Anderson-Imbert's unique style and world view. Many are "short short" stories, which Anderson-Imbert calls casos (instances). The range of subjects and points of view varies widely, challenging such "realities" as time and space, right and wrong, science and religion. In a prologue, Anderson-Imbert tells an imaginary reader, "Each one of my stories is a closed entity, brief because it has caught a single spasm of life in a single leap of fantasy. Only a reading of all my stories will reveal my world-view." The reader asks, "And are you sure that it is worth the trouble?" Anderson-Imbert replies, "No." The unexpected, ironic ending is one of the great pleasures of reading Enrique Anderson-Imbert. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) 
650 0 |a Argentina--Social life and customs--Fiction. 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
700 1 |a Edwards-Mondragón, Pamela. 
700 1 |a Izaguirre, Ester de,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
700 1 |a Vail, Carleton. 
700 1 |a de Izaguirre, Ester. 
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