Queer Bergman : : Sexuality, Gender, and the European Art Cinema / / Daniel Humphrey.
One of the twentieth century’s most important filmmakers—indeed one of its most important and influential artists—Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics...
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2013 |
Year of Publication: | 2021 |
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Physical Description: | 1 online resource (234 p.) |
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Humphrey, Daniel, author. aut http://id.loc.gov/vocabulary/relators/aut Queer Bergman : Sexuality, Gender, and the European Art Cinema / Daniel Humphrey. Austin : University of Texas Press, [2021] ©2013 1 online resource (234 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction: Ingmar Bergman and the Foreign Self -- Chapter One “Foreign and Refreshing” The Art Cinema’s Queer Allure -- Chapter Two. The Cultural Construction of a Cold War Auteur. Discourse and Counterdiscourse -- Chapter Three. The Uncanny Undefined -- Chapter Four. Staring Down Gender “Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So” -- Conclusion -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star One of the twentieth century’s most important filmmakers—indeed one of its most important and influential artists—Ingmar Bergman and his films have been examined from almost every possible perspective, including their remarkable portrayals of women and their searing dramatizations of gender dynamics. Curiously however, especially considering the Swedish filmmaker’s numerous and intriguing comments on the subject, no study has focused on the undeniably queer characteristics present throughout this nominally straight auteur’s body of work; indeed, they have barely been noted. Queer Bergman makes a bold and convincing argument that Ingmar Bergman’s work can best be thought of as profoundly queer in nature. Using persuasive historical evidence, including Bergman’s own on-the-record (though stubbornly ignored) remarks alluding to his own homosexual identifications, as well as the discourse of queer theory, Daniel Humphrey brings into focus the director’s radical denunciation of heteronormative values, his savage and darkly humorous deconstructions of gender roles, and his work’s trenchant, if also deeply conflicted, attacks on homophobically constructed forms of patriarchic authority. Adding an important chapter to the current discourse on GLBT/queer historiography, Humphrey also explores the unaddressed historical connections between post–World War II American queer culture and a concurrently vibrant European art cinema, proving that particular interrelationship to be as profound as the better documented associations between gay men and Hollywood musicals, queer spectators and the horror film, lesbians and gothic fiction, and others. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Homosexuality and motion pictures. Homosexuality in motion pictures. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/743762 https://www.degruyter.com/isbn/9780292743779 Cover https://www.degruyter.com/document/cover/isbn/9780292743779/original |
language |
English |
format |
eBook |
author |
Humphrey, Daniel, Humphrey, Daniel, |
spellingShingle |
Humphrey, Daniel, Humphrey, Daniel, Queer Bergman : Sexuality, Gender, and the European Art Cinema / Frontmatter -- Contents -- Acknowledgments -- Introduction: Ingmar Bergman and the Foreign Self -- Chapter One “Foreign and Refreshing” The Art Cinema’s Queer Allure -- Chapter Two. The Cultural Construction of a Cold War Auteur. Discourse and Counterdiscourse -- Chapter Three. The Uncanny Undefined -- Chapter Four. Staring Down Gender “Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So” -- Conclusion -- Notes -- Bibliography -- Index |
author_facet |
Humphrey, Daniel, Humphrey, Daniel, |
author_variant |
d h dh d h dh |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Humphrey, Daniel, |
title |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / |
title_sub |
Sexuality, Gender, and the European Art Cinema / |
title_full |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / Daniel Humphrey. |
title_fullStr |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / Daniel Humphrey. |
title_full_unstemmed |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / Daniel Humphrey. |
title_auth |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Ingmar Bergman and the Foreign Self -- Chapter One “Foreign and Refreshing” The Art Cinema’s Queer Allure -- Chapter Two. The Cultural Construction of a Cold War Auteur. Discourse and Counterdiscourse -- Chapter Three. The Uncanny Undefined -- Chapter Four. Staring Down Gender “Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So” -- Conclusion -- Notes -- Bibliography -- Index |
title_new |
Queer Bergman : |
title_sort |
queer bergman : sexuality, gender, and the european art cinema / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (234 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction: Ingmar Bergman and the Foreign Self -- Chapter One “Foreign and Refreshing” The Art Cinema’s Queer Allure -- Chapter Two. The Cultural Construction of a Cold War Auteur. Discourse and Counterdiscourse -- Chapter Three. The Uncanny Undefined -- Chapter Four. Staring Down Gender “Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So” -- Conclusion -- Notes -- Bibliography -- Index |
isbn |
9780292743779 9783110745344 |
url |
https://doi.org/10.7560/743762 https://www.degruyter.com/isbn/9780292743779 https://www.degruyter.com/document/cover/isbn/9780292743779/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43086/64 |
dewey-sort |
3791.43086 264 |
dewey-raw |
791.43086/64 |
dewey-search |
791.43086/64 |
doi_str_mv |
10.7560/743762 |
oclc_num |
1286806086 |
work_keys_str_mv |
AT humphreydaniel queerbergmansexualitygenderandtheeuropeanartcinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)587117 (OCoLC)1286806086 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Queer Bergman : Sexuality, Gender, and the European Art Cinema / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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1770176149119303680 |
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