Film Genre Reader IV /

Film Genre Reader IV / / ed. by Barry Keith Grant.

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From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion o...

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Superior document:Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013
MitwirkendeR:
Altman, Rick,
Bourget, Jean-Loup,
Buscombe, Edward,
Cawelti, John G.,
Cordova, Richard De,
Deleyto, Celestino,
Desser, David,
Elsaesser, Thomas,
Feuer, Jane,
Gallagher, Tag,
Grant, Barry Keith,
Hess Wright, Judith,
Higson, Andrew,
Jeffords, Susan,
Kawin, Bruce F.,
Klinger, Barbara,
Mitchell, Edward,
Neale, Steve,
Pye, Douglas,
Ramírez Berg, Charles,
Reid, Mark A.,
Schatz, Thomas,
Schrader, Paul,
Shary, Timothy,
Shumway, David R.,
Sobchack, Thomas,
Sobchack, Vivian,
Staiger, Janet,
Straayer, Chris,
Tarratt, Margaret,
Tasker, Yvonne,
Tudor, Andrew,
Williams, Linda,
Wood, Robin,
Yacowar, Maurice,
grindon, leger,
HerausgeberIn:
Grant, Barry Keith,
Place / Publishing House:Austin : : University of Texas Press, , [2021]
©2012
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (784 p.)
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id 9780292742079
lccn 2012016103
ctrlnum (DE-B1597)588131
(OCoLC)1286806289
collection bib_alma
record_format marc
spelling Film Genre Reader IV / ed. by Barry Keith Grant.
Austin : University of Texas Press, [2021]
©2012
1 online resource (784 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Acknowledgments -- Contents -- Preface to the Fourth Edition -- Introduction -- Part One: Theory -- 1. Genre -- 2. The Idea of Genre in the American Cinema -- 3. A Semantic/Syntactic Approach to Film Genre -- 4. Cycles and Clusters: The Shape of Film Genre History -- 5. Genre Films and the Status Quo -- 6. Social Implications in the Hollywood Genres -- 7. Ideology, Genre, Auteur -- 8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre -- 9. The Structural Influence: New Directions in Film Genre Study -- 10. Genre Film: A Classical Experience -- 11. Experience and Meaning in Genre Films -- 12. Genre and Performance: An Overview -- 13. Film Bodies: Gender, Genre, and Excess -- 14. Questions of Genre -- 15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History -- 16. Film Genres at the Crossroads: What Genres and Films Do to Each Other -- Part Two: Selected Genre Criticism -- 17. The Western (Genre and Movies) -- 18. Apes and Essences: Some Sources of Significance in the American Gangster Film -- 19. Notes on Film Noir -- 20. Chinatown and Generic Transformation in Recent American Films -- 21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western -- 22. The Bug in the Rug: Notes on the Disaster Genre -- 23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic -- 24. Children of the Light -- 25. Monsters from the Id -- 26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery -- 27. Tales of Sound and Fury: Observations on the Family Melodrama -- 28. Screwball Comedies: Constructing Romance, Mystifying Marriage -- 29. Redressing the “Natural”: The Temporary Transvestite Film -- 30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films -- 31. The Family in Action -- 32. The Self-Reflexive Musical and the Myth of Entertainment -- 33. The Black Gangster Film -- 34. Teen Films: The Cinematic Image of Youth -- 35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film -- 36. Global Noir: Genre Film in the Age of Transnationalism -- Bibliography -- Notes on Contributors -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
Motion picture plays History and criticism.
PERFORMING ARTS / General. bisacsh
Altman, Rick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Bourget, Jean-Loup, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Buscombe, Edward, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Cawelti, John G., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Cordova, Richard De, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Deleyto, Celestino, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Desser, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Elsaesser, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Feuer, Jane, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Gallagher, Tag, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Grant, Barry Keith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Grant, Barry Keith, editor. edt http://id.loc.gov/vocabulary/relators/edt
Hess Wright, Judith, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Higson, Andrew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Jeffords, Susan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Kawin, Bruce F., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Klinger, Barbara, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Mitchell, Edward, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Neale, Steve, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Pye, Douglas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Ramírez Berg, Charles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Reid, Mark A., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Schatz, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Schrader, Paul, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shary, Timothy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Shumway, David R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sobchack, Thomas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Sobchack, Vivian, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Staiger, Janet, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Straayer, Chris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tarratt, Margaret, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tasker, Yvonne, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Tudor, Andrew, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Williams, Linda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Wood, Robin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Yacowar, Maurice, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
grindon, leger, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344
https://doi.org/10.7560/742055
https://www.degruyter.com/isbn/9780292742079
Cover https://www.degruyter.com/document/cover/isbn/9780292742079/original
language English
format eBook
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Altman, Rick,
Bourget, Jean-Loup,
Bourget, Jean-Loup,
Buscombe, Edward,
Buscombe, Edward,
Cawelti, John G.,
Cawelti, John G.,
Cordova, Richard De,
Cordova, Richard De,
Deleyto, Celestino,
Deleyto, Celestino,
Desser, David,
Desser, David,
Elsaesser, Thomas,
Elsaesser, Thomas,
Feuer, Jane,
Feuer, Jane,
Gallagher, Tag,
Gallagher, Tag,
Grant, Barry Keith,
Grant, Barry Keith,
Grant, Barry Keith,
Grant, Barry Keith,
Hess Wright, Judith,
Hess Wright, Judith,
Higson, Andrew,
Higson, Andrew,
Jeffords, Susan,
Jeffords, Susan,
Kawin, Bruce F.,
Kawin, Bruce F.,
Klinger, Barbara,
Klinger, Barbara,
Mitchell, Edward,
Mitchell, Edward,
Neale, Steve,
Neale, Steve,
Pye, Douglas,
Pye, Douglas,
Ramírez Berg, Charles,
Ramírez Berg, Charles,
Reid, Mark A.,
Reid, Mark A.,
Schatz, Thomas,
Schatz, Thomas,
Schrader, Paul,
Schrader, Paul,
Shary, Timothy,
Shary, Timothy,
Shumway, David R.,
Shumway, David R.,
Sobchack, Thomas,
Sobchack, Thomas,
Sobchack, Vivian,
Sobchack, Vivian,
Staiger, Janet,
Staiger, Janet,
Straayer, Chris,
Straayer, Chris,
Tarratt, Margaret,
Tarratt, Margaret,
Tasker, Yvonne,
Tasker, Yvonne,
Tudor, Andrew,
Tudor, Andrew,
Williams, Linda,
Williams, Linda,
Wood, Robin,
Wood, Robin,
Yacowar, Maurice,
Yacowar, Maurice,
grindon, leger,
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author_facet Altman, Rick,
Altman, Rick,
Bourget, Jean-Loup,
Bourget, Jean-Loup,
Buscombe, Edward,
Buscombe, Edward,
Cawelti, John G.,
Cawelti, John G.,
Cordova, Richard De,
Cordova, Richard De,
Deleyto, Celestino,
Deleyto, Celestino,
Desser, David,
Desser, David,
Elsaesser, Thomas,
Elsaesser, Thomas,
Feuer, Jane,
Feuer, Jane,
Gallagher, Tag,
Gallagher, Tag,
Grant, Barry Keith,
Grant, Barry Keith,
Grant, Barry Keith,
Grant, Barry Keith,
Hess Wright, Judith,
Hess Wright, Judith,
Higson, Andrew,
Higson, Andrew,
Jeffords, Susan,
Jeffords, Susan,
Kawin, Bruce F.,
Kawin, Bruce F.,
Klinger, Barbara,
Klinger, Barbara,
Mitchell, Edward,
Mitchell, Edward,
Neale, Steve,
Neale, Steve,
Pye, Douglas,
Pye, Douglas,
Ramírez Berg, Charles,
Ramírez Berg, Charles,
Reid, Mark A.,
Reid, Mark A.,
Schatz, Thomas,
Schatz, Thomas,
Schrader, Paul,
Schrader, Paul,
Shary, Timothy,
Shary, Timothy,
Shumway, David R.,
Shumway, David R.,
Sobchack, Thomas,
Sobchack, Thomas,
Sobchack, Vivian,
Sobchack, Vivian,
Staiger, Janet,
Staiger, Janet,
Straayer, Chris,
Straayer, Chris,
Tarratt, Margaret,
Tarratt, Margaret,
Tasker, Yvonne,
Tasker, Yvonne,
Tudor, Andrew,
Tudor, Andrew,
Williams, Linda,
Williams, Linda,
Wood, Robin,
Wood, Robin,
Yacowar, Maurice,
Yacowar, Maurice,
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author_sort Altman, Rick,
title Film Genre Reader IV /
spellingShingle Film Genre Reader IV /
Frontmatter --
Acknowledgments --
Contents --
Preface to the Fourth Edition --
Introduction --
Part One: Theory --
1. Genre --
2. The Idea of Genre in the American Cinema --
3. A Semantic/Syntactic Approach to Film Genre --
4. Cycles and Clusters: The Shape of Film Genre History --
5. Genre Films and the Status Quo --
6. Social Implications in the Hollywood Genres --
7. Ideology, Genre, Auteur --
8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre --
9. The Structural Influence: New Directions in Film Genre Study --
10. Genre Film: A Classical Experience --
11. Experience and Meaning in Genre Films --
12. Genre and Performance: An Overview --
13. Film Bodies: Gender, Genre, and Excess --
14. Questions of Genre --
15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History --
16. Film Genres at the Crossroads: What Genres and Films Do to Each Other --
Part Two: Selected Genre Criticism --
17. The Western (Genre and Movies) --
18. Apes and Essences: Some Sources of Significance in the American Gangster Film --
19. Notes on Film Noir --
20. Chinatown and Generic Transformation in Recent American Films --
21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western --
22. The Bug in the Rug: Notes on the Disaster Genre --
23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic --
24. Children of the Light --
25. Monsters from the Id --
26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery --
27. Tales of Sound and Fury: Observations on the Family Melodrama --
28. Screwball Comedies: Constructing Romance, Mystifying Marriage --
29. Redressing the “Natural”: The Temporary Transvestite Film --
30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films --
31. The Family in Action --
32. The Self-Reflexive Musical and the Myth of Entertainment --
33. The Black Gangster Film --
34. Teen Films: The Cinematic Image of Youth --
35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film --
36. Global Noir: Genre Film in the Age of Transnationalism --
Bibliography --
Notes on Contributors --
Index
title_full Film Genre Reader IV / ed. by Barry Keith Grant.
title_fullStr Film Genre Reader IV / ed. by Barry Keith Grant.
title_full_unstemmed Film Genre Reader IV / ed. by Barry Keith Grant.
title_auth Film Genre Reader IV /
title_alt Frontmatter --
Acknowledgments --
Contents --
Preface to the Fourth Edition --
Introduction --
Part One: Theory --
1. Genre --
2. The Idea of Genre in the American Cinema --
3. A Semantic/Syntactic Approach to Film Genre --
4. Cycles and Clusters: The Shape of Film Genre History --
5. Genre Films and the Status Quo --
6. Social Implications in the Hollywood Genres --
7. Ideology, Genre, Auteur --
8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre --
9. The Structural Influence: New Directions in Film Genre Study --
10. Genre Film: A Classical Experience --
11. Experience and Meaning in Genre Films --
12. Genre and Performance: An Overview --
13. Film Bodies: Gender, Genre, and Excess --
14. Questions of Genre --
15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History --
16. Film Genres at the Crossroads: What Genres and Films Do to Each Other --
Part Two: Selected Genre Criticism --
17. The Western (Genre and Movies) --
18. Apes and Essences: Some Sources of Significance in the American Gangster Film --
19. Notes on Film Noir --
20. Chinatown and Generic Transformation in Recent American Films --
21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western --
22. The Bug in the Rug: Notes on the Disaster Genre --
23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic --
24. Children of the Light --
25. Monsters from the Id --
26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery --
27. Tales of Sound and Fury: Observations on the Family Melodrama --
28. Screwball Comedies: Constructing Romance, Mystifying Marriage --
29. Redressing the “Natural”: The Temporary Transvestite Film --
30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films --
31. The Family in Action --
32. The Self-Reflexive Musical and the Myth of Entertainment --
33. The Black Gangster Film --
34. Teen Films: The Cinematic Image of Youth --
35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film --
36. Global Noir: Genre Film in the Age of Transnationalism --
Bibliography --
Notes on Contributors --
Index
title_new Film Genre Reader IV /
title_sort film genre reader iv /
publisher University of Texas Press,
publishDate 2021
physical 1 online resource (784 p.)
contents Frontmatter --
Acknowledgments --
Contents --
Preface to the Fourth Edition --
Introduction --
Part One: Theory --
1. Genre --
2. The Idea of Genre in the American Cinema --
3. A Semantic/Syntactic Approach to Film Genre --
4. Cycles and Clusters: The Shape of Film Genre History --
5. Genre Films and the Status Quo --
6. Social Implications in the Hollywood Genres --
7. Ideology, Genre, Auteur --
8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre --
9. The Structural Influence: New Directions in Film Genre Study --
10. Genre Film: A Classical Experience --
11. Experience and Meaning in Genre Films --
12. Genre and Performance: An Overview --
13. Film Bodies: Gender, Genre, and Excess --
14. Questions of Genre --
15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History --
16. Film Genres at the Crossroads: What Genres and Films Do to Each Other --
Part Two: Selected Genre Criticism --
17. The Western (Genre and Movies) --
18. Apes and Essences: Some Sources of Significance in the American Gangster Film --
19. Notes on Film Noir --
20. Chinatown and Generic Transformation in Recent American Films --
21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western --
22. The Bug in the Rug: Notes on the Disaster Genre --
23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic --
24. Children of the Light --
25. Monsters from the Id --
26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery --
27. Tales of Sound and Fury: Observations on the Family Melodrama --
28. Screwball Comedies: Constructing Romance, Mystifying Marriage --
29. Redressing the “Natural”: The Temporary Transvestite Film --
30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films --
31. The Family in Action --
32. The Self-Reflexive Musical and the Myth of Entertainment --
33. The Black Gangster Film --
34. Teen Films: The Cinematic Image of Youth --
35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film --
36. Global Noir: Genre Film in the Age of Transnationalism --
Bibliography --
Notes on Contributors --
Index
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illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
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fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>09309nam a22010935i 4500</leader><controlfield tag="001">9780292742079</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20212012txu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2012016103</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292742079</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/742055</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)588131</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286806289</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1995</subfield><subfield code="b">.F457933 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43/6</subfield></datafield><datafield tag="245" ind1="0" ind2="0"><subfield code="a">Film Genre Reader IV /</subfield><subfield code="c">ed. by Barry Keith Grant.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (784 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Preface to the Fourth Edition -- </subfield><subfield code="t">Introduction -- </subfield><subfield code="t">Part One: Theory -- </subfield><subfield code="t">1. Genre -- </subfield><subfield code="t">2. The Idea of Genre in the American Cinema -- </subfield><subfield code="t">3. A Semantic/Syntactic Approach to Film Genre -- </subfield><subfield code="t">4. Cycles and Clusters: The Shape of Film Genre History -- </subfield><subfield code="t">5. Genre Films and the Status Quo -- </subfield><subfield code="t">6. Social Implications in the Hollywood Genres -- </subfield><subfield code="t">7. Ideology, Genre, Auteur -- </subfield><subfield code="t">8. “Cinema/Ideology/Criticism” Revisited: The Progressive Genre -- </subfield><subfield code="t">9. The Structural Influence: New Directions in Film Genre Study -- </subfield><subfield code="t">10. Genre Film: A Classical Experience -- </subfield><subfield code="t">11. Experience and Meaning in Genre Films -- </subfield><subfield code="t">12. Genre and Performance: An Overview -- </subfield><subfield code="t">13. Film Bodies: Gender, Genre, and Excess -- </subfield><subfield code="t">14. Questions of Genre -- </subfield><subfield code="t">15. Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History -- </subfield><subfield code="t">16. Film Genres at the Crossroads: What Genres and Films Do to Each Other -- </subfield><subfield code="t">Part Two: Selected Genre Criticism -- </subfield><subfield code="t">17. The Western (Genre and Movies) -- </subfield><subfield code="t">18. Apes and Essences: Some Sources of Significance in the American Gangster Film -- </subfield><subfield code="t">19. Notes on Film Noir -- </subfield><subfield code="t">20. Chinatown and Generic Transformation in Recent American Films -- </subfield><subfield code="t">21. Shoot-Out at the Genre Corral: Problems in the “Evolution” of the Western -- </subfield><subfield code="t">22. The Bug in the Rug: Notes on the Disaster Genre -- </subfield><subfield code="t">23. “Surge and Splendor”: A Phenomenology of the Hollywood Historical Epic -- </subfield><subfield code="t">24. Children of the Light -- </subfield><subfield code="t">25. Monsters from the Id -- </subfield><subfield code="t">26. Immigrants, Aliens, and Extraterrestrials: Science Fiction’s Alien “Other” as (Among Other Things) New Latino Imagery -- </subfield><subfield code="t">27. Tales of Sound and Fury: Observations on the Family Melodrama -- </subfield><subfield code="t">28. Screwball Comedies: Constructing Romance, Mystifying Marriage -- </subfield><subfield code="t">29. Redressing the “Natural”: The Temporary Transvestite Film -- </subfield><subfield code="t">30. Friendly Civilians: Images of Women and the Feminization of the Audience in Vietnam War Films -- </subfield><subfield code="t">31. The Family in Action -- </subfield><subfield code="t">32. The Self-Reflexive Musical and the Myth of Entertainment -- </subfield><subfield code="t">33. The Black Gangster Film -- </subfield><subfield code="t">34. Teen Films: The Cinematic Image of Youth -- </subfield><subfield code="t">35. Re-presenting the National Past: Nostalgia and Pastiche in the Heritage Film -- </subfield><subfield code="t">36. Global Noir: Genre Film in the Age of Transnationalism -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Notes on Contributors -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From reviews of the third edition: “Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology’s consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview.” —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film’s most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. 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Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture plays</subfield><subfield code="x">History and criticism.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Altman, Rick, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bourget, Jean-Loup, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Buscombe, Edward, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield 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