Psycho-Sexual : : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / / David Greven.
Bridging landmark territory in film studies, Psycho-Sexual is the first book to apply Alfred Hitchcock’s legacy to three key directors of 1970s Hollywood—Brian De Palma, Martin Scorsese, and William Friedkin—whose work suggests the pornographic male gaze that emerged in Hitchcock’s depiction of the...
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Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2013 |
Year of Publication: | 2021 |
Language: | English |
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Physical Description: | 1 online resource (311 p.) |
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Greven, David, author. aut http://id.loc.gov/vocabulary/relators/aut Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / David Greven. Austin : University of Texas Press, [2021] ©2013 1 online resource (311 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Hitchcock, Gender, and the New Hollywood -- Chapter One. Cruising, Hysteria, Knowledge: The Man Who Knew Too Much (1956) -- Chapter Two “You Are Alone Here, Aren’t You?”: Psycho’s Doubles -- Chapter Three. Blank Screens: Psycho and the Pornographic Gaze -- Chapter Four. Misfortune and Men’s Eyes: Three Early De Palma Comedies -- Chapter Five. A Sense of Vertigo: Taxi Driver -- Chapter Six. Mirror Shades: Cruising -- Chapter Seven The Gender Museum: Dressed to Kill -- Coda. Ideology at an Impasse -- NOTES -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Bridging landmark territory in film studies, Psycho-Sexual is the first book to apply Alfred Hitchcock’s legacy to three key directors of 1970s Hollywood—Brian De Palma, Martin Scorsese, and William Friedkin—whose work suggests the pornographic male gaze that emerged in Hitchcock’s depiction of the voyeuristic, homoerotically inclined American man. Combining queer theory with a psychoanalytic perspective, David Greven begins with a reconsideration of Psycho and the 1956 remake of The Man Who Knew Too Much to introduce the filmmaker’s evolutionary development of American masculinity. Psycho-Sexual probes De Palma’s early Vietnam War draft-dodger comedies as well as his film Dressed to Kill, along with Scorsese’s Taxi Driver and Friedkin’s Cruising as reactions to and inventive elaborations upon Hitchcock’s gendered themes and aesthetic approaches. Greven demonstrates how the significant political achievement of these films arises from a deeply disturbing, violent, even sorrowful psychological and social context. Engaging with contemporary theories of pornography while establishing pornography’s emergence during the classical Hollywood era, Greven argues that New Hollywood filmmakers seized upon Hitchcock’s radical decentering of heterosexual male dominance. The resulting images of heterosexual male ambivalence allowed for an investment in same-sex desire; an aura of homophobia became informed by a fascination with the homoerotic. Psycho-Sexual also explores the broader gender crisis and disorganization that permeated the Cold War and New Hollywood eras, reimagining the defining premises of Hitchcock criticism. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Homosexuality in motion pictures. Masculinity in motion pictures. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/742024 https://www.degruyter.com/isbn/9780292742031 Cover https://www.degruyter.com/document/cover/isbn/9780292742031/original |
language |
English |
format |
eBook |
author |
Greven, David, Greven, David, |
spellingShingle |
Greven, David, Greven, David, Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Hitchcock, Gender, and the New Hollywood -- Chapter One. Cruising, Hysteria, Knowledge: The Man Who Knew Too Much (1956) -- Chapter Two “You Are Alone Here, Aren’t You?”: Psycho’s Doubles -- Chapter Three. Blank Screens: Psycho and the Pornographic Gaze -- Chapter Four. Misfortune and Men’s Eyes: Three Early De Palma Comedies -- Chapter Five. A Sense of Vertigo: Taxi Driver -- Chapter Six. Mirror Shades: Cruising -- Chapter Seven The Gender Museum: Dressed to Kill -- Coda. Ideology at an Impasse -- NOTES -- BIBLIOGRAPHY -- INDEX |
author_facet |
Greven, David, Greven, David, |
author_variant |
d g dg d g dg |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Greven, David, |
title |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / |
title_sub |
Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / |
title_full |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / David Greven. |
title_fullStr |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / David Greven. |
title_full_unstemmed |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / David Greven. |
title_auth |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Hitchcock, Gender, and the New Hollywood -- Chapter One. Cruising, Hysteria, Knowledge: The Man Who Knew Too Much (1956) -- Chapter Two “You Are Alone Here, Aren’t You?”: Psycho’s Doubles -- Chapter Three. Blank Screens: Psycho and the Pornographic Gaze -- Chapter Four. Misfortune and Men’s Eyes: Three Early De Palma Comedies -- Chapter Five. A Sense of Vertigo: Taxi Driver -- Chapter Six. Mirror Shades: Cruising -- Chapter Seven The Gender Museum: Dressed to Kill -- Coda. Ideology at an Impasse -- NOTES -- BIBLIOGRAPHY -- INDEX |
title_new |
Psycho-Sexual : |
title_sort |
psycho-sexual : male desire in hitchcock, de palma, scorsese, and friedkin / |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (311 p.) |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. Hitchcock, Gender, and the New Hollywood -- Chapter One. Cruising, Hysteria, Knowledge: The Man Who Knew Too Much (1956) -- Chapter Two “You Are Alone Here, Aren’t You?”: Psycho’s Doubles -- Chapter Three. Blank Screens: Psycho and the Pornographic Gaze -- Chapter Four. Misfortune and Men’s Eyes: Three Early De Palma Comedies -- Chapter Five. A Sense of Vertigo: Taxi Driver -- Chapter Six. Mirror Shades: Cruising -- Chapter Seven The Gender Museum: Dressed to Kill -- Coda. Ideology at an Impasse -- NOTES -- BIBLIOGRAPHY -- INDEX |
isbn |
9780292742031 9783110745344 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.9 M46 G746 42013 |
url |
https://doi.org/10.7560/742024 https://www.degruyter.com/isbn/9780292742031 https://www.degruyter.com/document/cover/isbn/9780292742031/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/653 |
dewey-sort |
3791.43 3653 |
dewey-raw |
791.43/653 |
dewey-search |
791.43/653 |
doi_str_mv |
10.7560/742024 |
oclc_num |
1286807360 |
work_keys_str_mv |
AT grevendavid psychosexualmaledesireinhitchcockdepalmascorseseandfriedkin |
status_str |
n |
ids_txt_mv |
(DE-B1597)587766 (OCoLC)1286807360 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Psycho-Sexual : Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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