Indie, Inc. : : Miramax and the Transformation of Hollywood in the 1990s / / Alisa Perren.
During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. sur...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2012 |
Year of Publication: | 2021 |
Language: | English |
Series: | Texas Film and Media Studies Series
|
Online Access: | |
Physical Description: | 1 online resource (320 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9780292737150 |
---|---|
lccn |
2011048530 |
ctrlnum |
(DE-B1597)587506 (OCoLC)1280945294 |
collection |
bib_alma |
record_format |
marc |
spelling |
Perren, Alisa, author. aut http://id.loc.gov/vocabulary/relators/aut Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / Alisa Perren. Austin : University of Texas Press, [2021] ©2012 1 online resource (320 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Texas Film and Media Studies Series Frontmatter -- Contents -- Acknowledgments -- Chapter One. Finding a Niche in the 1990s -- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) -- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) -- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) -- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) -- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) -- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) -- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium -- Notes -- Selected Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Independent filmmakers United States. PERFORMING ARTS / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/729124 https://www.degruyter.com/isbn/9780292737150 Cover https://www.degruyter.com/document/cover/isbn/9780292737150/original |
language |
English |
format |
eBook |
author |
Perren, Alisa, Perren, Alisa, |
spellingShingle |
Perren, Alisa, Perren, Alisa, Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / Texas Film and Media Studies Series Frontmatter -- Contents -- Acknowledgments -- Chapter One. Finding a Niche in the 1990s -- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) -- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) -- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) -- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) -- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) -- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) -- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium -- Notes -- Selected Bibliography -- Index |
author_facet |
Perren, Alisa, Perren, Alisa, |
author_variant |
a p ap a p ap |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Perren, Alisa, |
title |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / |
title_sub |
Miramax and the Transformation of Hollywood in the 1990s / |
title_full |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / Alisa Perren. |
title_fullStr |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / Alisa Perren. |
title_full_unstemmed |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / Alisa Perren. |
title_auth |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Chapter One. Finding a Niche in the 1990s -- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) -- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) -- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) -- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) -- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) -- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) -- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium -- Notes -- Selected Bibliography -- Index |
title_new |
Indie, Inc. : |
title_sort |
indie, inc. : miramax and the transformation of hollywood in the 1990s / |
series |
Texas Film and Media Studies Series |
series2 |
Texas Film and Media Studies Series |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (320 p.) |
contents |
Frontmatter -- Contents -- Acknowledgments -- Chapter One. Finding a Niche in the 1990s -- Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) -- Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) -- Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) -- Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) -- Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) -- Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) -- Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium -- Notes -- Selected Bibliography -- Index |
isbn |
9780292737150 9783110745344 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1999 |
callnumber-sort |
PN 41999 M57 P48 42012 |
geographic_facet |
United States. |
url |
https://doi.org/10.7560/729124 https://www.degruyter.com/isbn/9780292737150 https://www.degruyter.com/document/cover/isbn/9780292737150/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.7560/729124 |
oclc_num |
1280945294 |
work_keys_str_mv |
AT perrenalisa indieincmiramaxandthetransformationofhollywoodinthe1990s |
status_str |
n |
ids_txt_mv |
(DE-B1597)587506 (OCoLC)1280945294 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Indie, Inc. : Miramax and the Transformation of Hollywood in the 1990s / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
_version_ |
1770176148815216640 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04718nam a22006735i 4500</leader><controlfield tag="001">9780292737150</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220426115627.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220426t20212012txu fo d z eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2011048530</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780292737150</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7560/729124</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)587506</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1280945294</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">txu</subfield><subfield code="c">US-TX</subfield></datafield><datafield tag="050" ind1="0" ind2="0"><subfield code="a">PN1999.M57</subfield><subfield code="b">P48 2012</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1999.M57</subfield><subfield code="b">P48 2012</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Perren, Alisa, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Indie, Inc. :</subfield><subfield code="b">Miramax and the Transformation of Hollywood in the 1990s /</subfield><subfield code="c">Alisa Perren.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Austin : </subfield><subfield code="b">University of Texas Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (320 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Texas Film and Media Studies Series</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Chapter One. Finding a Niche in the 1990s -- </subfield><subfield code="t">Chapter Two. The Rise of Miramax and the Quality Indie Blockbuster (1979–Fall 1992) -- </subfield><subfield code="t">Chapter Three. The “Secret” of Miramax’s Success: The Crying Game (Winter 1992–Spring 1993) -- </subfield><subfield code="t">Chapter Four. Corsets, Clerks, and Criminals: Miramax in the Age of Disney (Summer 1993–Spring 1995) -- </subfield><subfield code="t">Chapter Five. Another Dimension to the Miramax Brand: Kids, Scream, and the Teen Audience (Spring 1995–Spring 1997) -- </subfield><subfield code="t">Chapter Six. Majors, Indies, Independents: The Rise of a Three-Tier System (Winter 1996–Spring 1997) -- </subfield><subfield code="t">Chapter Seven. Who Says Life Is Beautiful? (Summer 1997–Spring 1999) -- </subfield><subfield code="t">Chapter Eight. Maxed Out: Miramax and Indiewood in the New Millennium -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Selected Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">During the 1990s, films such as sex, lies, and videotape, The Crying Game, Pulp Fiction, Good Will Hunting, and Shakespeare in Love earned substantial sums at the box office along with extensive critical acclaim. A disproportionate number of these hits came from one company: Miramax. Indie, Inc. surveys Miramax’s evolution from independent producer-distributor to studio subsidiary, chronicling how one company transformed not just the independent film world but the film and media industries more broadly. As Alisa Perren illustrates, Miramax’s activities had an impact on everything from film festival practices to marketing strategies, talent development to awards campaigning. Case studies of key films, including The Piano, Kids, Scream, The English Patient, and Life Is Beautiful, reveal how Miramax went beyond influencing Hollywood business practices and motion picture aesthetics to shaping popular and critical discourses about cinema during the 1990s. Indie, Inc. does what other books about contemporary low-budget cinema have not—it transcends discussions of “American indies” to look at the range of Miramax-released genre films, foreign-language films, and English-language imports released over the course of the decade. The book illustrates that what both the press and scholars have typically represented as the “rise of the American independent” was in fact part of a larger reconfiguration of the media industries toward niche-oriented products.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Independent filmmakers</subfield><subfield code="z">United States.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">University of Texas Press eBook-Package Backlist 2000-2013</subfield><subfield code="z">9783110745344</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7560/729124</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780292737150</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780292737150/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074534-4 University of Texas Press eBook-Package Backlist 2000-2013</subfield><subfield code="c">2000</subfield><subfield code="d">2013</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |