Reconsidering Olmec Visual Culture : : The Unborn, Women, and Creation / / Carolyn E. Tate.
Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis...
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Place / Publishing House: | Austin : : University of Texas Press, , [2021] ©2012 |
Year of Publication: | 2021 |
Language: | English |
Series: | The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere
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Physical Description: | 1 online resource (359 p.) |
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Tate, Carolyn E., author. aut http://id.loc.gov/vocabulary/relators/aut Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. Austin : University of Texas Press, [2021] ©2012 1 online resource (359 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities. Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) Indian women in art. Olmec art. Olmec mythology. Olmec sculpture. SOCIAL SCIENCE / General. bisacsh Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 9783110745344 https://doi.org/10.7560/728523 https://www.degruyter.com/isbn/9780292735491 Cover https://www.degruyter.com/document/cover/isbn/9780292735491/original |
language |
English |
format |
eBook |
author |
Tate, Carolyn E., Tate, Carolyn E., |
spellingShingle |
Tate, Carolyn E., Tate, Carolyn E., Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index |
author_facet |
Tate, Carolyn E., Tate, Carolyn E., |
author_variant |
c e t ce cet c e t ce cet |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Tate, Carolyn E., |
title |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / |
title_sub |
The Unborn, Women, and Creation / |
title_full |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. |
title_fullStr |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. |
title_full_unstemmed |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / Carolyn E. Tate. |
title_auth |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / |
title_alt |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index |
title_new |
Reconsidering Olmec Visual Culture : |
title_sort |
reconsidering olmec visual culture : the unborn, women, and creation / |
series |
The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere |
series2 |
The William and Bettye Nowlin Series in Art, History, and Culture of the Western Hemisphere |
publisher |
University of Texas Press, |
publishDate |
2021 |
physical |
1 online resource (359 p.) |
contents |
Frontmatter -- Contents -- Preface -- Acknowledgments -- Chapter 1 Rediscovering Women and Gestation in Olmec Visual Culture -- Chapter 2 The Tale of the Were-Jaguar -- Chapter 3 The Sowing and Dawning of the Human-Maize Seed -- Chapter 4 Tracking Gender, Gestation, and Narrativity Through the Early Formative -- Chapter 5 La Venta’s Buried Offerings Women and Other Revelations -- Chapter 6 Female Water and Earth Supernaturals The Massive Off erings, Mosaic Pavements, and Mixe “Work of the Earth” -- Chapter 7 A Processional Visual Narrative at La Venta -- Chapter 8 La Venta’s Creation and Origins Narrative -- Chapter 9 A Scattering of Seeds -- Appendix 1 La Venta Monuments by Format -- Appendix 2 Comparison of Mesoamerican Creation and Origins Narratives -- Appendix 3 Shape-Shifters and Werewolves to Were-Jaguars: A Brief Chronology -- Notes -- Bibliography -- Index |
isbn |
9780292735491 9783110745344 |
callnumber-first |
F - General American History |
callnumber-subject |
F - General American History |
callnumber-label |
F1219 |
callnumber-sort |
F 41219.8 O56 T37 42012 |
url |
https://doi.org/10.7560/728523 https://www.degruyter.com/isbn/9780292735491 https://www.degruyter.com/document/cover/isbn/9780292735491/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
709 - Historical, geographic & persons treatment |
dewey-full |
709.72 |
dewey-sort |
3709.72 |
dewey-raw |
709.72 |
dewey-search |
709.72 |
doi_str_mv |
10.7560/728523 |
oclc_num |
1286807833 |
work_keys_str_mv |
AT tatecarolyne reconsideringolmecvisualculturetheunbornwomenandcreation |
status_str |
n |
ids_txt_mv |
(DE-B1597)586613 (OCoLC)1286807833 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Reconsidering Olmec Visual Culture : The Unborn, Women, and Creation / |
container_title |
Title is part of eBook package: De Gruyter University of Texas Press eBook-Package Backlist 2000-2013 |
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1806143135371231232 |
fullrecord |
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