Re-envisioning the Everyday : : American Genre Scenes, 1905-1945 / / John Fagg.

Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, and others, who adapted such subjects to an era of rapid urbanization, mass media, and mo...

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Place / Publishing House:University Park, PA : : Penn State University Press, , [2023]
2023
Year of Publication:2023
Language:English
Online Access:
Physical Description:1 online resource (266 p.)
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100 1 |a Fagg, John,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Re-envisioning the Everyday :  |b American Genre Scenes, 1905-1945 /  |c John Fagg. 
264 1 |a University Park, PA :   |b Penn State University Press,   |c [2023] 
264 4 |c 2023 
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505 0 0 |t Frontmatter --   |t Contents --   |t List of Illustrations --   |t Acknowledgments --   |t Introduction --   |t 1 Genre Painting in a New Century: Jerome Myers, Edmund C. Tarbell, and Elizabeth Shippen Green --   |t 2 John Sloan's Intimate Tenements --   |t 3 Brand Ordinary: Norman Rockwell and the Commercial Illustration of Everyday Life --   |t 4 The 1930s Genre Painting Revival --   |t 5 Ben Shahn and Jacob Lawrence: Beyond Genre Painting --   |t Conclusion: A Genre America --   |t Notes --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a Often seen as backward-looking and convention-bound, genre painting representing scenes of everyday life was central to the work of twentieth-century artists such as John Sloan, Norman Rockwell, Jacob Lawrence, and others, who adapted such subjects to an era of rapid urbanization, mass media, and modernist art. Re-envisioning the Everyday asks what their works do to the tradition of genre painting and whether it remains a meaningful category through which to understand them.Working with and against the established narrative of American genre painting's late nineteenth-century decline into obsolescence, John Fagg explores how artists and illustrators used elements of the tradition to picture everyday life in a rapidly changing society, whether by appealing to its nostalgic and historical connotations or by updating it to address new formal and thematic concerns. Fagg argues that genre painting enabled twentieth-century artists to look slowly and carefully at scenes of everyday life and, on some occasions, to understand those scenes as sites of political oppression and resistance. But it also limited them to anachronistic ways of seeing and tied them to a freighted history of stereotyping and condescension.By surveying genre painting when its status and relevance were uncertain and by looking at works that stretch and complicate its boundaries, this book considers what the form is and probes the wider practice of generic categorization. It will appeal to students and scholars of American art history, art criticism, and cultural studies. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) 
650 7 |a ART / History / Modern (late 19th Century to 1945).  |2 bisacsh 
653 |a American art. 
653 |a Anton Refegeir. 
653 |a Ben Shahn. 
653 |a Commercial illustration. 
653 |a Dorothy Varian. 
653 |a Edmund Tarbell. 
653 |a Edward Hopper. 
653 |a Elizabeth Shippen Green. 
653 |a Everyday life. 
653 |a Genre painting. 
653 |a Jacob Lawrence. 
653 |a Jerome Myers. 
653 |a John Sloan. 
653 |a Normal Rockwell. 
653 |a Ordinary. 
653 |a Progressive Era. 
653 |a Revival. 
653 |a Stuart Davis. 
653 |a Whitney Museum. 
653 |a interwar America. 
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