African American Artists and the New Deal Art Programs : : Opportunity, Access, and Community / / Mary Ann Calo.

This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2023
VerfasserIn:
MitwirkendeR:
Place / Publishing House:University Park, PA : : Penn State University Press, , [2023]
©2023
Year of Publication:2023
Language:English
Online Access:
Physical Description:1 online resource (216 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 04816nam a2200853Ia 45e0
001 9780271095745
003 DE-B1597
005 20231101071823.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 231101t20232023pau fo d z eng d
020 |a 9780271095745 
024 7 |a 10.1515/9780271095745  |2 doi 
024 7 |a 10.1515/9780271095745  |2 doi 
035 |a (DE-B1597)667059 
040 |a DE-B1597  |b eng  |c DE-B1597  |e rda 
041 0 |a eng 
044 |a pau  |c US-PA 
050 4 |a N6538.B53  |b C35 2023eb 
072 7 |a ART038000  |2 bisacsh 
082 0 4 |a 700.89/96073  |2 22 
100 1 |a Calo, Mary Ann,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a African American Artists and the New Deal Art Programs :  |b Opportunity, Access, and Community /  |c Mary Ann Calo. 
264 1 |a University Park, PA :   |b Penn State University Press,   |c [2023] 
264 4 |c ©2023 
300 |a 1 online resource (216 p.) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file  |b PDF  |2 rda 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) 
650 0 |a African American art  |y 20th century. 
650 0 |a African American artists  |x History  |y 20th century. 
650 0 |a Art and race. 
650 0 |a Federal aid to the arts  |z United States  |x History  |y 20th century. 
650 0 |a New Deal art. 
650 7 |a ART / American / African-American.  |2 bisacsh 
653 |a African American artists. 
653 |a African Americans during the Depression. 
653 |a Alain Locke. 
653 |a Community Art Centers. 
653 |a Florida Federal Art Project. 
653 |a Francis V. O'Connor. 
653 |a Harlem Artists' Guild. 
653 |a Harlem Community Art Center. 
653 |a Missouri FAP. 
653 |a New Deal art projects. 
653 |a North Carolina FAP. 
653 |a People's Art Center of St. Louis. 
653 |a WPA Federal Art Galleries. 
653 |a Works Progress Administration Federal Art Projects. 
653 |a advocacy. 
653 |a cultural politics. 
700 1 |a Francis, Jacqueline,   |e contributor.  |4 ctb  |4 https://id.loc.gov/vocabulary/relators/ctb 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Penn State University Press Complete eBook-Package 2023  |z 9783110797756 
856 4 0 |u https://www.degruyter.com/isbn/9780271095745 
856 4 2 |3 Cover  |u https://www.degruyter.com/document/cover/isbn/9780271095745/original 
912 |a 978-3-11-079775-6 Penn State University Press Complete eBook-Package 2023  |b 2023 
912 |a EBA_CL_MUAR 
912 |a EBA_EBKALL 
912 |a EBA_ECL_MUAR 
912 |a EBA_EEBKALL 
912 |a EBA_ESSHALL 
912 |a EBA_PPALL 
912 |a EBA_SSHALL 
912 |a GBV-deGruyter-alles 
912 |a PDA11SSHE 
912 |a PDA13ENGE 
912 |a PDA17SSHEE 
912 |a PDA5EBK