Painting the Inhabited Landscape : : Fitz H. Lane and the Global Reach of Antebellum America / / Margaretta M. Lovell.
The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its tr...
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Place / Publishing House: | University Park, PA : : Penn State University Press, , [2023] 2023 |
Year of Publication: | 2023 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (352 p.) |
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001 | 9780271093239 | ||
003 | DE-B1597 | ||
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020 | |a 9780271093239 | ||
024 | 7 | |a 10.1515/9780271093239 |2 doi | |
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040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
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072 | 7 | |a ART015020 |2 bisacsh | |
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100 | 1 | |a Lovell, Margaretta M., |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Painting the Inhabited Landscape : |b Fitz H. Lane and the Global Reach of Antebellum America / |c Margaretta M. Lovell. |
264 | 1 | |a University Park, PA : |b Penn State University Press, |c [2023] | |
264 | 4 | |c 2023 | |
300 | |a 1 online resource (352 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t List of Illustrations -- |t Acknowledgments -- |t List of Abbreviations -- |t Introduction: A Small City with a Far Reach -- |t 1. Reputation: Lane, Gloucester's "Own Artist," 1842-1865 -- |t 2. Value: Lane, 1865-2020 -- |t 3. Canvas: Names, Naming, and Identity -- |t 4. Fish: Lane's Gloucester -- |t 5. Lumber: Lane's Maine -- |t 6. Granite: Shipwreck with Spectators -- |t 7. Travelers I: Surinam and California -- |t 8. Travelers II: Ireland, China, Puerto Rico -- |t Conclusion -- |t Appendix A: Exhibitions and Sales That Included Fitz H. Lane Paintings During His Lifetime -- |t Appendix B: Inventories and Lists of Located Lane Paintings, 1865-1961 -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a The impulse in much nineteenth-century American painting and culture was to describe nature as a wilderness on which the young nation might freely inscribe its future: the United States as a virgin land, that is, unploughed, unfenced, and unpainted. Insofar as it exhibited evidence of a past, its traces pointed to a geologic or cosmic past, not a human one. The work of the New England artist Fitz H. Lane, however, was decidedly different.In this important study, Margaretta Markle Lovell singles out the more modestly scaled, explicitly inhabited landscapes of Fitz H. Lane and investigates the patrons who supported his career, with an eye to understanding how New Englanders thought about their land, their economy, their history, and their links with widely disparate global communities. Lane's works depict nature as productive and allied in partnership with humans to create a sustainable, balanced political economy. What emerges from this close look at Lane's New England is a picture not of a "virgin wilderness" but of a land deeply resonant with its former uses-and a human history that incorporates, rather than excludes, Native Americans as shapers of land and as agents in that history.Calling attention to unexplored dimensions of nineteenth-century painting, Painting the Inhabited Landscape is a major intervention in the scholarship on American art of the period, examining how that body of work commented on American culture and informs our understanding of canon formation. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 09. Dez 2023) | |
650 | 0 | |a Harbors in art. | |
650 | 0 | |a Landscape painting, American |y 19th century. | |
650 | 0 | |a Marine painting, American |y 19th century. | |
650 | 7 | |a ART / American / General. |2 bisacsh | |
653 | |a California. | ||
653 | |a Cape Ann. | ||
653 | |a Dutch Guyana. | ||
653 | |a Gloucester. | ||
653 | |a Grand Banks. | ||
653 | |a Maine. | ||
653 | |a Massachusetts. | ||
653 | |a New England. | ||
653 | |a Puerto Rico. | ||
653 | |a Robert Bennet Forbes. | ||
653 | |a Sidney Mason. | ||
653 | |a Surinam. | ||
653 | |a canon formation. | ||
653 | |a cultural landscape. | ||
653 | |a daily life. | ||
653 | |a extraction industries. | ||
653 | |a global trade. | ||
653 | |a gold rush. | ||
653 | |a granite. | ||
653 | |a labor. | ||
653 | |a landscape painting. | ||
653 | |a lumber. | ||
653 | |a modernism. | ||
653 | |a nineteenth-century fisheries. | ||
653 | |a opium. | ||
653 | |a pirates. | ||
653 | |a reevaluation of the American artist Fitz Henry Lane. | ||
653 | |a tourism. | ||
856 | 4 | 0 | |u https://doi.org/10.1515/9780271093239?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780271093239 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780271093239/original |
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