Fragment, Image, and Absence in 1960s Japan / / Ignacio A. Adriasola Muñoz.
This groundbreaking book examines how the notion of “the object” was transformed in Japanese experimental art during a time of rapid social, economic, and environmental change.Reviving the legacies of the historical avant-garde, Japanese artists and intellectuals of the 1960s formulated an aesthetic...
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| Superior document: | Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2022 |
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| VerfasserIn: | |
| Place / Publishing House: | University Park, PA : : Penn State University Press, , [2022] ©2023 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Refiguring Modernism
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| Online Access: | |
| Physical Description: | 1 online resource (262 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Note on Language
- Introduction: Melancholy Sites
- Part 1: Fragment
- Chapter 1 Situation of the Obuje
- Chapter 2 Ears, Fragments, and the Pathos of Distance
- Part 2 Image
- Introduction
- Chapter 3 Object, Mirror, Stain
- Chapter 4 Narcissus at the Fountain
- Part 3 Absence
- Introduction
- Chapter 5 Finding Despair in Landscape
- Chapter 6 Cast Shadows
- Conclusion On the Return to Things
- Notes
- Bibliography
- Index