Hebrew Psalms and the Utrecht Psalter : : Veiled Origins / / Pamela Berger.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020
• VerfasserIn: Berger, Pamela,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©2020
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (240 p.) :; 38 color/52 b&w illustrations
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Abbreviations --; Introduction --; 1 Methodology and the Example of Psalm 1 --; 2 Analysis of the Pictorial Motifs in Selected Utrecht Psalter Illustrations --; 3 Late Antique Galilee: The Context for the Creation of the Model for the Utrecht Psalter Illustrations --; 4 The Style of the Utrecht Psalter and Its Relation to Late Antique Jewish Art --; Conclusions --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271092720; 9783110745214
• DOI: 10.1515/9780271092720?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Pamela Berger.

In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text.Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text, the Jewish commentary, or Jewish art. Drawing comparisons between the “Hellenistic” style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee.Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.