The Absent Image : : Lacunae in Medieval Books / / Elina Gertsman.

• Superior document: Title is part of eBook package: De Gruyter EBOOK PACKAGE Arts 2021
• VerfasserIn: Gertsman, Elina,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©2021
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (256 p.) :; 58 color/62 b&w illustrations
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Abbreviations --; Introduction: Nothing Is the Matter --; Chapter one. Imaginary Realms --; Chapter two. Phantoms of Emptiness --; Chapter three. Traces of Touch --; Chapter four. Penetrating the Parchment --; Coda. Absences --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271089034; 9783110753790; 9783110754032; 9783110754001; 9783110753776; 9783110745108
• DOI: 10.1515/9780271089034?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Elina Gertsman.

Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures.Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death.Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.