Objects of Vision : : Making Sense of What We See / / A. Joan Saab.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020
• VerfasserIn: Saab, A. Joan,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©2020
• Year of Publication: 2021
• Language: English
• Series: Perspectives on Sensory History ; 3
• Physical Description: 1 online resource (166 p.) :; 31 color/13 b&w illustrations
• Other title: Frontmatter --; Contents --; Illustrations --; Acknowledgments --; Prologue In Memory of . . . --; Introduction Making Sense of What We See --; Chapter 1 The Persistence of Miraculous Vision --; Chapter 2 Technological Vision Hoaxes and the Desire to Believe --; Chapter 3 Camera Vision and the Quest for Indexical Truths --; Chapter 4 Untitled Postmodern Vision and the Triumph of the Pseudo-Event --; Conclusion How to Look at a Million Images --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271088709; 9783110745214
• DOI: 10.1515/9780271088709?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: A. Joan Saab.

Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality.Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.