Becoming Audible : : Sounding Animality in Performance / / Austin McQuinn.
Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his ana...
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Superior document: | Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020 |
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Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©2020 |
Year of Publication: | 2021 |
Language: | English |
Series: | Animalibus: Of Animals and Cultures ;
18 |
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Physical Description: | 1 online resource (200 p.) |
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McQuinn, Austin, author. aut http://id.loc.gov/vocabulary/relators/aut Becoming Audible : Sounding Animality in Performance / Austin McQuinn. University Park, PA : Penn State University Press, [2021] ©2020 1 online resource (200 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Animalibus: Of Animals and Cultures ; 18 Frontmatter -- Contents -- Preface -- Introduction -- 1 Becoming Audible: Listening in Between Species -- 2 Becoming Acoustic: Concealing and Revealing Voices in Hunting and Performance Interactions -- 3 Becoming Botched: Play, Tactical Empathy, and Neo-Shamanic Acoustic Legacies in Performance -- 4 Becoming Canine: The Scandal of the Singing Animal Body -- 5 Becoming Lingual: Primate Trouble in the Academy of Speech -- 6 Becoming Resonant: Sounding the Creatural Through Performance -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Becoming Audible explores the phenomenon of human and animal acoustic entanglements in art and performance practices. Focusing on the work of artists who get into the spaces between species, Austin McQuinn discovers that sounding animality secures a vital connection to the creatural.To frame his analysis, McQuinn employs Gilles Deleuze and Félix Guattari's concept of becoming-animal, Donna Haraway's definitions of multispecies becoming-with, and Mladen Dolar's ideas of voice-as-object. McQuinn considers birdsong in the work of Beatrice Harrison, Olivier Messiaen, Céleste Boursier-Mougenot, Daniela Cattivelli, and Marcus Coates; the voice of the canine as a sacrificial lab animal in the operatic work of Alexander Raskatov; hierarchies of vocalization in human-simian cultural coevolution in theatrical adaptations of Franz Kafka and Eugene O'Neill; and the acoustic exchanges among hybrid human-animal creations in Harrison Birtwistle's opera The Minotaur. Inspired by the operatic voice and drawing from work in art and performance studies, animal studies, zooarchaeology, social and cultural anthropology, and philosophy, McQuinn demonstrates that sounding animality in performance resonates "through the labyrinths of the cultural and the creatural," not only across species but also beyond the limits of the human.Timely and provocative, this volume outlines new methods of unsettling human exceptionalism during a period of urgent reevaluation of interspecies relations. Students and scholars of human-animal studies, performance studies, and art historians working at the nexus of human and animal will find McQuinn's book enlightening and edifying. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Animal sounds. Human-animal relationships in art. Human-animal relationships in the performing arts. Performance art. Technology & Engineering / Acoustics & Sound. bisacsh Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020 9783110745214 https://doi.org/10.1515/9780271088259?locatt=mode:legacy https://www.degruyter.com/isbn/9780271088259 Cover https://www.degruyter.com/cover/covers/9780271088259.jpg |
language |
English |
format |
eBook |
author |
McQuinn, Austin, McQuinn, Austin, |
spellingShingle |
McQuinn, Austin, McQuinn, Austin, Becoming Audible : Sounding Animality in Performance / Animalibus: Of Animals and Cultures ; Frontmatter -- Contents -- Preface -- Introduction -- 1 Becoming Audible: Listening in Between Species -- 2 Becoming Acoustic: Concealing and Revealing Voices in Hunting and Performance Interactions -- 3 Becoming Botched: Play, Tactical Empathy, and Neo-Shamanic Acoustic Legacies in Performance -- 4 Becoming Canine: The Scandal of the Singing Animal Body -- 5 Becoming Lingual: Primate Trouble in the Academy of Speech -- 6 Becoming Resonant: Sounding the Creatural Through Performance -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index |
author_facet |
McQuinn, Austin, McQuinn, Austin, |
author_variant |
a m am a m am |
author_role |
VerfasserIn VerfasserIn |
author_sort |
McQuinn, Austin, |
title |
Becoming Audible : Sounding Animality in Performance / |
title_sub |
Sounding Animality in Performance / |
title_full |
Becoming Audible : Sounding Animality in Performance / Austin McQuinn. |
title_fullStr |
Becoming Audible : Sounding Animality in Performance / Austin McQuinn. |
title_full_unstemmed |
Becoming Audible : Sounding Animality in Performance / Austin McQuinn. |
title_auth |
Becoming Audible : Sounding Animality in Performance / |
title_alt |
Frontmatter -- Contents -- Preface -- Introduction -- 1 Becoming Audible: Listening in Between Species -- 2 Becoming Acoustic: Concealing and Revealing Voices in Hunting and Performance Interactions -- 3 Becoming Botched: Play, Tactical Empathy, and Neo-Shamanic Acoustic Legacies in Performance -- 4 Becoming Canine: The Scandal of the Singing Animal Body -- 5 Becoming Lingual: Primate Trouble in the Academy of Speech -- 6 Becoming Resonant: Sounding the Creatural Through Performance -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index |
title_new |
Becoming Audible : |
title_sort |
becoming audible : sounding animality in performance / |
series |
Animalibus: Of Animals and Cultures ; |
series2 |
Animalibus: Of Animals and Cultures ; |
publisher |
Penn State University Press, |
publishDate |
2021 |
physical |
1 online resource (200 p.) |
contents |
Frontmatter -- Contents -- Preface -- Introduction -- 1 Becoming Audible: Listening in Between Species -- 2 Becoming Acoustic: Concealing and Revealing Voices in Hunting and Performance Interactions -- 3 Becoming Botched: Play, Tactical Empathy, and Neo-Shamanic Acoustic Legacies in Performance -- 4 Becoming Canine: The Scandal of the Singing Animal Body -- 5 Becoming Lingual: Primate Trouble in the Academy of Speech -- 6 Becoming Resonant: Sounding the Creatural Through Performance -- Coda -- Acknowledgments -- Notes -- Bibliography -- Index |
isbn |
9780271088259 9783110745214 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1590 |
callnumber-sort |
PN 41590 A54 M35 42021EB |
url |
https://doi.org/10.1515/9780271088259?locatt=mode:legacy https://www.degruyter.com/isbn/9780271088259 https://www.degruyter.com/cover/covers/9780271088259.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791 |
dewey-sort |
3791 |
dewey-raw |
791 |
dewey-search |
791 |
doi_str_mv |
10.1515/9780271088259?locatt=mode:legacy |
oclc_num |
1227386800 |
work_keys_str_mv |
AT mcquinnaustin becomingaudiblesoundinganimalityinperformance |
status_str |
n |
ids_txt_mv |
(DE-B1597)584414 (OCoLC)1227386800 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020 |
is_hierarchy_title |
Becoming Audible : Sounding Animality in Performance / |
container_title |
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020 |
_version_ |
1770176146995937280 |
fullrecord |
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