Elevate the Masses : : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America / / Makeda Best.

Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers' rights movement. Tying Gardner's photographic storytelling to his transatlantic reform activities, this book exp...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020
VerfasserIn:
Place / Publishing House:University Park, PA : : Penn State University Press, , [2021]
©2020
Year of Publication:2021
Language:English
Online Access:
Physical Description:1 online resource (200 p.) :; 84 illustrations
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780271087542
ctrlnum (DE-B1597)583726
(OCoLC)1253313120
collection bib_alma
record_format marc
spelling Best, Makeda, author. aut http://id.loc.gov/vocabulary/relators/aut
Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America / Makeda Best.
University Park, PA : Penn State University Press, [2021]
©2020
1 online resource (200 p.) : 84 illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction Elevate the Masses -- Chapter 1 The Fierce Flames of Democracy -- Chapter 2 Remove the Foul Blot -- Chapter 3 Labor's Portrait Gallery -- Chapter 4 Washington's Promise -- Conclusion: Convince the Understanding, Arouse the Conscience -- Notes -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers' rights movement. Tying Gardner's photographic storytelling to his transatlantic reform activities, this book expands our understanding of Gardner's career and the work of his studio in Washington, DC, by situating his photographic production within the era's discourse on social and political reform.Drawing on previously unknown primary sources and original close readings, Makeda Best reveals how Gardner's activism in Scotland and photography in the United States shared an ideological foundation. She reads his Photographic Sketch Book of the War as a politically motivated project, rooted in Gardner's Chartist and Owenite beliefs, and illuminates how its treatment of slavery is primarily concerned with the harm that the institution posed to the United States' reputation as a model democracy. Best shows how, in his portraiture, Gardner celebrated Northern labor communities and elevated white immigrant workers, despite the industrialization that degraded them. She concludes with a discussion of Gardner's promotion of an American national infrastructure in which photographers and photography played an integral role.Original and compelling, this reconsideration of Gardner's work expands the contribution of Civil War photography beyond the immediate narrative of the war to comprehend its relation to the vigorous international debates about democracy, industrialization, and the rights of citizens. Scholars working at the intersection of photography, cultural history, and social reform in the nineteenth century on both sides of the Atlantic will find Best's work invaluable to their own research.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
Democracy United States History 19th century.
Labor movement United States History 19th century.
Slavery United States History 19th century.
Photography / Individual Photographers / Monographs. bisacsh
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020 9783110745214
https://doi.org/10.1515/9780271087542?locatt=mode:legacy
https://www.degruyter.com/isbn/9780271087542
Cover https://www.degruyter.com/cover/covers/9780271087542.jpg
language English
format eBook
author Best, Makeda,
Best, Makeda,
spellingShingle Best, Makeda,
Best, Makeda,
Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /
Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Introduction Elevate the Masses --
Chapter 1 The Fierce Flames of Democracy --
Chapter 2 Remove the Foul Blot --
Chapter 3 Labor's Portrait Gallery --
Chapter 4 Washington's Promise --
Conclusion: Convince the Understanding, Arouse the Conscience --
Notes --
Index
author_facet Best, Makeda,
Best, Makeda,
author_variant m b mb
m b mb
author_role VerfasserIn
VerfasserIn
author_sort Best, Makeda,
title Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /
title_sub Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /
title_full Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America / Makeda Best.
title_fullStr Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America / Makeda Best.
title_full_unstemmed Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America / Makeda Best.
title_auth Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /
title_alt Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Introduction Elevate the Masses --
Chapter 1 The Fierce Flames of Democracy --
Chapter 2 Remove the Foul Blot --
Chapter 3 Labor's Portrait Gallery --
Chapter 4 Washington's Promise --
Conclusion: Convince the Understanding, Arouse the Conscience --
Notes --
Index
title_new Elevate the Masses :
title_sort elevate the masses : alexander gardner, photography, and democracy in nineteenth-century america /
publisher Penn State University Press,
publishDate 2021
physical 1 online resource (200 p.) : 84 illustrations
contents Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Introduction Elevate the Masses --
Chapter 1 The Fierce Flames of Democracy --
Chapter 2 Remove the Foul Blot --
Chapter 3 Labor's Portrait Gallery --
Chapter 4 Washington's Promise --
Conclusion: Convince the Understanding, Arouse the Conscience --
Notes --
Index
isbn 9780271087542
9783110745214
geographic_facet United States
era_facet 19th century.
url https://doi.org/10.1515/9780271087542?locatt=mode:legacy
https://www.degruyter.com/isbn/9780271087542
https://www.degruyter.com/cover/covers/9780271087542.jpg
illustrated Not Illustrated
dewey-hundreds 900 - History & geography
dewey-tens 970 - History of North America
dewey-ones 973 - United States
dewey-full 973.7
dewey-sort 3973.7
dewey-raw 973.7
dewey-search 973.7
doi_str_mv 10.1515/9780271087542?locatt=mode:legacy
oclc_num 1253313120
work_keys_str_mv AT bestmakeda elevatethemassesalexandergardnerphotographyanddemocracyinnineteenthcenturyamerica
status_str n
ids_txt_mv (DE-B1597)583726
(OCoLC)1253313120
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020
is_hierarchy_title Elevate the Masses : Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /
container_title Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2020
_version_ 1770176146946654208
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04706nam a22006855i 4500</leader><controlfield tag="001">9780271087542</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210830012106.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210830t20212020pau fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780271087542</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780271087542</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)583726</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1253313120</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">pau</subfield><subfield code="c">US-PA</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PHO011030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">973.7</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Best, Makeda, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Elevate the Masses :</subfield><subfield code="b">Alexander Gardner, Photography, and Democracy in Nineteenth-Century America /</subfield><subfield code="c">Makeda Best.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">University Park, PA : </subfield><subfield code="b">Penn State University Press, </subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (200 p.) :</subfield><subfield code="b">84 illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Illustrations -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction Elevate the Masses -- </subfield><subfield code="t">Chapter 1 The Fierce Flames of Democracy -- </subfield><subfield code="t">Chapter 2 Remove the Foul Blot -- </subfield><subfield code="t">Chapter 3 Labor's Portrait Gallery -- </subfield><subfield code="t">Chapter 4 Washington's Promise -- </subfield><subfield code="t">Conclusion: Convince the Understanding, Arouse the Conscience -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers' rights movement. Tying Gardner's photographic storytelling to his transatlantic reform activities, this book expands our understanding of Gardner's career and the work of his studio in Washington, DC, by situating his photographic production within the era's discourse on social and political reform.Drawing on previously unknown primary sources and original close readings, Makeda Best reveals how Gardner's activism in Scotland and photography in the United States shared an ideological foundation. She reads his Photographic Sketch Book of the War as a politically motivated project, rooted in Gardner's Chartist and Owenite beliefs, and illuminates how its treatment of slavery is primarily concerned with the harm that the institution posed to the United States' reputation as a model democracy. Best shows how, in his portraiture, Gardner celebrated Northern labor communities and elevated white immigrant workers, despite the industrialization that degraded them. She concludes with a discussion of Gardner's promotion of an American national infrastructure in which photographers and photography played an integral role.Original and compelling, this reconsideration of Gardner's work expands the contribution of Civil War photography beyond the immediate narrative of the war to comprehend its relation to the vigorous international debates about democracy, industrialization, and the rights of citizens. Scholars working at the intersection of photography, cultural history, and social reform in the nineteenth century on both sides of the Atlantic will find Best's work invaluable to their own research.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Democracy</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Labor movement</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Slavery</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield><subfield code="y">19th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Photography / Individual Photographers / Monographs.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Penn State University Press Complete eBook-Package 2020</subfield><subfield code="z">9783110745214</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780271087542?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780271087542</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780271087542.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-074521-4 Penn State University Press Complete eBook-Package 2020</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA18STMEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>