London Art Worlds : : Mobile, Contingent, and Ephemeral Networks, 1960-1980 / / ed. by Jo Applin, Amy Tobin, Catherine Spencer.
The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and '70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art.The con...
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Superior document: | Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2018 |
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MitwirkendeR: | |
HerausgeberIn: | |
Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©2018 |
Year of Publication: | 2021 |
Language: | English |
Series: | Refiguring Modernism ;
24 |
Online Access: | |
Physical Description: | 1 online resource (248 p.) :; 18 color/32 b&w illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1. Everything Was Connected:
- 2. A Porous Entity:
- 3. Mapping the City:
- 4. Restoring Some Period Color to Roelof Louw's Pyramid of Oranges (1967)
- 5. Collectivity, Temporality, and Festival Culture in John Dugger's Quasi-Architecture, 1970-74
- 6. Taking the Trouble to Sound It:
- 7. Circulations and Cooperations:
- 8. Project sigma:
- 9. The Artist as a Speaker-Performer:
- 10. File Under COUM:
- Bibliography
- List of Contributors
- Index