Performance in the Texts of Mallarmé : : The Passage from Art to Ritual / / Mary Lewis Shaw.
Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concept...
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| Superior document: | Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 |
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| Place / Publishing House: | University Park, PA : : Penn State University Press, , [2021] ©1992 |
| Year of Publication: | 2021 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (288 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction
- 1. Performance as Ritual
- 2. Music: "Le dernier et plénier culte humain"
- 3. Dance: "Rite . . . énoncé de l'Idée"
- 4. Theater: "Le vrai culte moderne"
- 5. Opera: "Le Monstre-Qui-ne-peut-Être"
- 6. "La fausse entrée des sorcières dans Macbeth"
- 7. Hérodiade
- 8. L'après-midi d'un faune
- 9. lgitur
- 10. Un coup de dés
- 11. Le Livre
- 12. Avant-Garde Performance
- Bibliography
- Index