Figures of Identity : : Goethe's Novels and the Enigmatic Self / / Clark S. Muenzer.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
• VerfasserIn: Muenzer, Clark S.,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2021]; ©1984
• Year of Publication: 2021
• Language: English
• Physical Description: 1 online resource (176 p.)

The question of coherence in Goethe's novels, which, like Faust, compelled his attention throughout his creative life, has only recently occupied a few critics. Professor Muenzer's study offers the most comprehensive effort of this kind by examining the problematic nature of self-definition through the four novels and its emergence as a discursive process of the imagination.The self of these texts, Muenzer suggests, evolves as a symbolic construct that records a patter of pursuit for each of their protagonists and orients the reader toward three basic goals of human aspiration. Thus, Werther aspires to purposefulness as a center of teleological fulfillment, while the hero of Wilhelm Meister's Apprenticeship refers to an ideological center of participation in his social desire. Eduard, in The Elective Affinities, presumes to occupy a center of archaeological power through his typically self-assertive strategies.In the last of his novels, Wilhelm Meister's Journeymanship, Goethe articulates the need to balance all such self-involved behavior with an attitude of self-denial. Apparently, the mind can orient itself through centers of purpose, order, and power, but it must also recognize the illusion of their attainment. Identity does not involve a substantive presence, and the result of self-definition for Goethe is interpretive work.Each of Professor Muenzer's interpretations has been guided by this premise. The interests of all of Goethe's novelistic protagonists, he concludes, ";serve as orienting postures toward goals that cannot be literally achieved."; Consequently, symbolic resolutions are proposed. These then introduce new problems as points of departure in subsequent works. The hidden agenda of Goethe's work as a novelist is a self that exists as a textual problem, a series of interpretive moves that endlessly defer the attainment of self presence by supplementing each other in narrative fictions.

Table of Contents

Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1 Turning Toward the Sublime -- 2 The Speculative Way -- 3 Possessive Presumptions -- 4 Deference and the Deferral of Aspiration -- 5 Hope's Elusive Chest -- Notes -- Bibliography -- Index