Vision, the Gaze, and the Function of the Senses in “Celestina” / / James F. Burke.

The plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a new interpretation of the characters' actions b...

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Superior document:Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
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Place / Publishing House:University Park, PA : : Penn State University Press, , [2015]
©2000
Year of Publication:2015
Language:English
Series:Studies in Romance Literatures
Online Access:
Physical Description:1 online resource (152 p.)
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245 1 0 |a Vision, the Gaze, and the Function of the Senses in “Celestina” /  |c James F. Burke. 
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505 0 0 |t Frontmatter --   |t Contents --   |t Introduction --   |t 1 The Sensory Fields, Ancient and Modern --   |t 2 Celestina: The Sublunary Intermediary --   |t 3 The Higher Spiritual Vision: Saint Mary Magdalene --   |t 4 Arrows of Desire, Arrows of Envy --   |t 5 "Todas cosas que son hacen": The Sonic Sphere --   |t 6 The Banquet of Sense and the Garden of Delights --   |t Works Cited --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The plot of the late-medieval Spanish work Celestina (1499) centers on the ill-fated love of Calisto and Melibea and the fascinating character of their intermediary, Celestina. In this ground-breaking rereading of the play, James F. Burke offers a new interpretation of the characters' actions by analyzing medieval theories of perception that would have influenced the composition of Celestina. Drawing upon a variety of texts and thinkers—including the medieval theories of Thomas Aquinas, the Renaissance treatises of Marsilio Ficino, the classical philosophy of Aristotle, and the modern psychology of Jacques Lacan—Burke relates ancient and medieval theories of sensory functions to modern understandings. He demonstrates that modern concepts of ";the gaze"; have their premodern analogy in the idea of an all-encompassing sensory field, both visual and auditory, that surrounded and enveloped each individual. Touching on medieval theories of the ";evil eye,"; the sonic sphere, and ";the banquet of the senses,"; Burke offers a new perspective on the use and manipulation of sensory input by the characters of Celestina. This book will be welcomed not only by students of Spanish literature but also by those interested in new ways of approaching medieval and Renaissance texts. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) 
650 0 |a Gaze in literature. 
650 0 |a Senses and sensation in literature. 
650 0 |a Vision in literature. 
650 7 |a LITERARY CRITICISM / European / Spanish & Portuguese.  |2 bisacsh 
653 |a Calisto Melibea. 
653 |a Celestina. 
653 |a Jacques Lacan. 
653 |a Marsilio Ficino. 
653 |a Spanish literature. 
653 |a Thomas Aquinas. 
653 |a medieval theories. 
653 |a sensory field. 
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