Rhetoric and Democratic Deliberation. Constitutive Visions : : Indigeneity and Commonplaces of National Identity in Republican Ecuador / / Christa J. Olson.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
• VerfasserIn: Olson, Christa J.,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2015]; ©2013
• Year of Publication: 2015
• Language: English
• Series: Rhetoric and Democratic Deliberation ; 9
• Physical Description: 1 online resource (272 p.) :; 42 illustrations/1 map
• Other title: Frontmatter --; Table of Contents --; Preface: The Precarious Politics of Going There --; Acknowledgments --; Introduction: Scene Setting --; Chapter 1: Constituting Citizenship --; Chapter 2: Geography Is History --; Chapter 3: Burdens of the Nation --; Chapter 4: Dead Weight --; Chapter 5: Performing Strategic Indigeneity --; Conclusion: ¿De Quién Es la Patria? --; Notes --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271062549; 9783110745269
• DOI: 10.1515/9780271062549?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Christa J. Olson.

In Constitutive Visions, Christa Olson presents the rhetorical history of republican Ecuador as punctuated by repeated arguments over national identity. Those arguments—as they advanced theories of citizenship, popular sovereignty, and republican modernity—struggled to reconcile the presence of Ecuador’s large indigenous population with the dominance of a white-mestizo minority. Even as indigenous people were excluded from civic life, images of them proliferated in speeches, periodicals, and artworks during Ecuador’s long process of nation formation. Tracing how that contradiction illuminates the textures of national-identity formation, Constitutive Visions places petitions from indigenous laborers alongside oil paintings, overlays woodblock illustrations with legislative debates, and analyzes Ecuador’s nineteen constitutions in light of landscape painting. Taken together, these juxtapositions make sense of the contradictions that sustained and unsettled the postcolonial nation-state.