A World Art History and Its Objects / / David Carrier.

Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historia...

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Superior document:Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
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Place / Publishing House:University Park, PA : : Penn State University Press, , [2008]
©2008
Year of Publication:2008
Language:English
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Physical Description:1 online resource (200 p.) :; 11 illustrations
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id 9780271036069
ctrlnum (DE-B1597)583894
(OCoLC)1262307521
collection bib_alma
record_format marc
spelling Carrier, David, author. aut http://id.loc.gov/vocabulary/relators/aut
A World Art History and Its Objects / David Carrier.
University Park, PA : Penn State University Press, [2008]
©2008
1 online resource (200 p.) : 11 illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- List of Figures and Diagrams -- Preface -- Acknowledgments -- Introduction -- Overture: Islamic Carpets in European Paintings -- 1 Works of Art and Art-Historical Narratives -- 2 Monocultural Art-History Narratives -- 3 Why Monoculturalism Is Not the Whole Story -- 4 What Happens When Art-Making Traditions Intersect -- 5 Charts and Works of Art -- 6 The Importance of an Aesthetic -- 7 Exotic Aesthetics -- 8 How Exotic Can Exotic Art Be? -- 9 Our World Art History Is Imperialism Seen Aesthetically -- 10 Mutual Respect as an Ethical Ideal -- Conclusion: The Coming Transformation of Western Art History -- Selective Annotated Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Is writing a world art history possible? Does the history of art as such even exist outside the Western tradition? Is it possible to consider the history of art in a way that is not fundamentally Eurocentric? In this highly readable and provocative book, David Carrier, a philosopher and art historian, does not attempt to write a world art history himself. Rather, he asks the question of how an art history of all cultures could be written—or whether it is even possible to do so. He also engages the political and moral issues raised by the idea of a multicultural art history. Focusing on a consideration of intersecting artistic traditions, Carrier negotiates the way meaning and understanding shift or are altered when a visual object from one culture, for example, is inserted into the visual tradition of another culture. A World Art History and Its Objects proposes the use of temporal narrative as a way to begin to understand a multicultural art history.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023)
Art Historiography Methodology.
Art Historiography Moral and ethical aspects.
Politics and culture.
ART / Criticism. bisacsh
Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014 9783110745269
https://doi.org/10.1515/9780271036069?locatt=mode:legacy
https://www.degruyter.com/isbn/9780271036069
Cover https://www.degruyter.com/document/cover/isbn/9780271036069/original
language English
format eBook
author Carrier, David,
Carrier, David,
spellingShingle Carrier, David,
Carrier, David,
A World Art History and Its Objects /
Frontmatter --
Contents --
List of Figures and Diagrams --
Preface --
Acknowledgments --
Introduction --
Overture: Islamic Carpets in European Paintings --
1 Works of Art and Art-Historical Narratives --
2 Monocultural Art-History Narratives --
3 Why Monoculturalism Is Not the Whole Story --
4 What Happens When Art-Making Traditions Intersect --
5 Charts and Works of Art --
6 The Importance of an Aesthetic --
7 Exotic Aesthetics --
8 How Exotic Can Exotic Art Be? --
9 Our World Art History Is Imperialism Seen Aesthetically --
10 Mutual Respect as an Ethical Ideal --
Conclusion: The Coming Transformation of Western Art History --
Selective Annotated Bibliography --
Index
author_facet Carrier, David,
Carrier, David,
author_variant d c dc
d c dc
author_role VerfasserIn
VerfasserIn
author_sort Carrier, David,
title A World Art History and Its Objects /
title_full A World Art History and Its Objects / David Carrier.
title_fullStr A World Art History and Its Objects / David Carrier.
title_full_unstemmed A World Art History and Its Objects / David Carrier.
title_auth A World Art History and Its Objects /
title_alt Frontmatter --
Contents --
List of Figures and Diagrams --
Preface --
Acknowledgments --
Introduction --
Overture: Islamic Carpets in European Paintings --
1 Works of Art and Art-Historical Narratives --
2 Monocultural Art-History Narratives --
3 Why Monoculturalism Is Not the Whole Story --
4 What Happens When Art-Making Traditions Intersect --
5 Charts and Works of Art --
6 The Importance of an Aesthetic --
7 Exotic Aesthetics --
8 How Exotic Can Exotic Art Be? --
9 Our World Art History Is Imperialism Seen Aesthetically --
10 Mutual Respect as an Ethical Ideal --
Conclusion: The Coming Transformation of Western Art History --
Selective Annotated Bibliography --
Index
title_new A World Art History and Its Objects /
title_sort a world art history and its objects /
publisher Penn State University Press,
publishDate 2008
physical 1 online resource (200 p.) : 11 illustrations
contents Frontmatter --
Contents --
List of Figures and Diagrams --
Preface --
Acknowledgments --
Introduction --
Overture: Islamic Carpets in European Paintings --
1 Works of Art and Art-Historical Narratives --
2 Monocultural Art-History Narratives --
3 Why Monoculturalism Is Not the Whole Story --
4 What Happens When Art-Making Traditions Intersect --
5 Charts and Works of Art --
6 The Importance of an Aesthetic --
7 Exotic Aesthetics --
8 How Exotic Can Exotic Art Be? --
9 Our World Art History Is Imperialism Seen Aesthetically --
10 Mutual Respect as an Ethical Ideal --
Conclusion: The Coming Transformation of Western Art History --
Selective Annotated Bibliography --
Index
isbn 9780271036069
9783110745269
url https://doi.org/10.1515/9780271036069?locatt=mode:legacy
https://www.degruyter.com/isbn/9780271036069
https://www.degruyter.com/document/cover/isbn/9780271036069/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 707 - Education, research & related topics
dewey-full 707.2/2
dewey-sort 3707.2 12
dewey-raw 707.2/2
dewey-search 707.2/2
doi_str_mv 10.1515/9780271036069?locatt=mode:legacy
oclc_num 1262307521
work_keys_str_mv AT carrierdavid aworldarthistoryanditsobjects
AT carrierdavid worldarthistoryanditsobjects
status_str n
ids_txt_mv (DE-B1597)583894
(OCoLC)1262307521
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
is_hierarchy_title A World Art History and Its Objects /
container_title Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package Pre-2014
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