Wagner'S Dramas and Greek Tragedy / / Pearl Cleveland Wilson.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter CUP eBook Package Archive 1898-1999 (pre Pub)
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Place / Publishing House:New York, NY : : Columbia University Press, , [1919]
©1919
Year of Publication:1919
Language:English
Series:Columbia University Studies in Classical Philology
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Physical Description:1 online resource
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505 0 0 |t Frontmatter --   |t Contents --   |t I. Wagner's Enthusiasm for Greek, and His Genius for Dramatic Expression in Music --   |t II. Do Wagner's Dramas Uphold the Doctrine of Might or the Doctrine of Self-Sacrifice? --   |t III. Greek Influence and Greek Parallels in Wagner's Work --   |t IV. The Oresteia and the Ring of the Nibelung: Dramas of Crime and Atonement --   |t V. The Conclusion of the Meistersinger and the Conclusion of the Eumenides: Two Remarkable Reconciliations --   |t VI. Ajax and Amfortas: The Fallen Heroes --   |t VII. Isolde and Phaedra: Reluctant Confessions of Love --   |t VIII. Wagner's Music and the Parodos of the Seven Against Thebes --   |t IX. Wagner's Use of the Orchestra as a Medium for Poetic Expression --   |t X. Orchestral and Choral Preludes --   |t XI. Orchestral and Choral Conclusions --   |t XII. Long Scenes and Speeches --   |t XIII. A Few Remarks on Rhythms --   |t XIV. Points of Resemblance Between Wagner and the Greek Tragic Poets --   |t Bibliography 
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588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019) 
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