Tibetan Religious Art / / Antoinette K. Gordon.
Looks at the art of Tibet, "The Land of the Snows", in terms of its origins, functions, and symbolism. Studies the art as a religious art as the lama regards his work as a vehicle for expressing the metaphysical concepts of "The Religion".
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [1952] ©1952 |
Year of Publication: | 1952 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (106 p.) |
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Other title: | Frontmatter -- PREFACE -- CONTENTS -- TIBETAN RELIGIOUS ART -- BUDDHISM AND LAMAISM -- THE PANTHEON OF DEITIES AND DIVINITIES -- TEMPLE PAINTINGS (THANG-KAS) -- BOOKS AND WOOD BLOCKS -- VOTIVE TABLETS -- RITUAL OBJECTS -- ROBES AND MASKS -- METAL WORK, MUSICAL INSTRUMENTS, AND JEWELRY -- BUTTER SCULPTURE AND SAND MANDALAS -- CALLIGRAPHY -- CONCLUSION -- BIBLIOGRAPHY -- INDEX |
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Summary: | Looks at the art of Tibet, "The Land of the Snows", in terms of its origins, functions, and symbolism. Studies the art as a religious art as the lama regards his work as a vehicle for expressing the metaphysical concepts of "The Religion". |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231898454 9783110442489 |
DOI: | 10.7312/gord94392 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Antoinette K. Gordon. |