The First Hundred Years of Wagner’S Tristan / / Elliott Zuckerman.
Explores Wagner's Tristan, from the writing and launching of the music, to its first performance and how it affected the people associated with it, through the music criticism and theory attached to it.
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [1964] ©1964 |
| Year of Publication: | 1964 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (238 p.) |
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Table of Contents:
- Frontmatter
- PREFACE
- ACKNOWLEDGMENTS
- CONTENTS
- Chapter I. SCHOPENHAUER, THE MYTH, AND THE MUSIC (.1854-1859)
- Chapter II. TO THE FIRST PERFORMANCE (1859-1865)
- Chapter III. NIETZSCHE PRO TRISTAN (1868-1888)
- Chapter IV. WAGNER AND TRISTAN IN PARIS (1850-1900)
- Chapter V. LOVE AND DEATH IN VENICE (1883-1933)
- Chapter VI. TO THE FINAL PERFORMANCE
- Appendix A: THE DATES OF THE FIRST PERFORMAΝCES OF WAGNER'S MUSIC-DRAMAS IN THE MAJOR OPERATIC CITIES
- Appendix B: A NOTE ON SWINBURNE AND THE SEA
- Appendix C: A NOTE ON JOYCE AND ELIOT
- NOTES
- INDEX