Negro Folk Music, U.S.A. / / Harold Courlander.

Examines the cultural continuity and the evidence of a large and significant oral literature tradition in African American music.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999
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Place / Publishing House:New York, NY : : Columbia University Press, , [1963]
©1963
Year of Publication:1963
Language:English
Online Access:
Physical Description:1 online resource (324 p.)
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Description
Other title:Frontmatter --
Preface --
Contents --
The Music --
I. The Setting --
II. Negro Folk Music in the United States --
III. Anthems and Spirituals as Oral Literature --
IV. Cries, Calls, Whooping, and Hollering --
V. Sounds of Work --
VI. Blues --
VII. Ring Games and Playparty Songs --
VIII. Louisiana Creole Songs --
IX. Performers’ Corner: Ballads and Minstrelsy --
X. Dances: Calindas, Buzzard Lopes, and Reels --
XI. Instruments: Drums, Gutbuckets, and Horns --
Notes --
Bibliography --
Discography --
Sources of Notated Songs --
Index
Summary:Examines the cultural continuity and the evidence of a large and significant oral literature tradition in African American music.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231887069
9783110442489
DOI:10.7312/cour92108
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Harold Courlander.