Negro Folk Music, U.S.A. / / Harold Courlander.
Examines the cultural continuity and the evidence of a large and significant oral literature tradition in African American music.
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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VerfasserIn: | |
Place / Publishing House: | New York, NY : : Columbia University Press, , [1963] ©1963 |
Year of Publication: | 1963 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (324 p.) |
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Other title: | Frontmatter -- Preface -- Contents -- The Music -- I. The Setting -- II. Negro Folk Music in the United States -- III. Anthems and Spirituals as Oral Literature -- IV. Cries, Calls, Whooping, and Hollering -- V. Sounds of Work -- VI. Blues -- VII. Ring Games and Playparty Songs -- VIII. Louisiana Creole Songs -- IX. Performers’ Corner: Ballads and Minstrelsy -- X. Dances: Calindas, Buzzard Lopes, and Reels -- XI. Instruments: Drums, Gutbuckets, and Horns -- Notes -- Bibliography -- Discography -- Sources of Notated Songs -- Index |
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Summary: | Examines the cultural continuity and the evidence of a large and significant oral literature tradition in African American music. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231887069 9783110442489 |
DOI: | 10.7312/cour92108 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Harold Courlander. |