Music in New Hampshire 1623–1800 / / Louis Pichierri.

Looks at the music developed in New Hampshire from 1623-1800 as the state never had any anti-musical blue laws and its settlers were legally free to enjoy as much amusement of this kind as they chose.

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999
VerfasserIn:
Place / Publishing House:New York, NY : : Columbia University Press, , [1960]
©1960
Year of Publication:1960
Language:English
Online Access:
Physical Description:1 online resource (296 p.)
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Description
Other title:Frontmatter --
Contents --
Foreword --
Preface --
I. The Setting --
II. Instruments in New Hampshire --
III. Religious Music --
IV. Secular Music --
V. Music for Public Occasions --
VI. Opera before the Revolution --
VII. Opera after the Revolution --
VIII. Concert Life --
IX. Teachers --
X. Music in the Academies --
XI. John Hubbard --
XII. Benjamin Dearborn --
XIII. Samuel Holyoke --
XIV. The Village Harmony --
XV. Music Theory --
XVI. Conclusion --
Appendix: A. Teachers’ Advertisements --
Appendix B. Selected Opera Programs --
Appendix C. John Hancock and the Massachusetts Antitheatre Law of 1750 --
Notes --
Bibliography --
Index
Summary:Looks at the music developed in New Hampshire from 1623-1800 as the state never had any anti-musical blue laws and its settlers were legally free to enjoy as much amusement of this kind as they chose.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231886833
9783110442489
DOI:10.7312/pich92062
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Louis Pichierri.