Music in New Hampshire 1623–1800 / / Louis Pichierri.
Looks at the music developed in New Hampshire from 1623-1800 as the state never had any anti-musical blue laws and its settlers were legally free to enjoy as much amusement of this kind as they chose.
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [1960] ©1960 |
Year of Publication: | 1960 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (296 p.) |
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Other title: | Frontmatter -- Contents -- Foreword -- Preface -- I. The Setting -- II. Instruments in New Hampshire -- III. Religious Music -- IV. Secular Music -- V. Music for Public Occasions -- VI. Opera before the Revolution -- VII. Opera after the Revolution -- VIII. Concert Life -- IX. Teachers -- X. Music in the Academies -- XI. John Hubbard -- XII. Benjamin Dearborn -- XIII. Samuel Holyoke -- XIV. The Village Harmony -- XV. Music Theory -- XVI. Conclusion -- Appendix: A. Teachers’ Advertisements -- Appendix B. Selected Opera Programs -- Appendix C. John Hancock and the Massachusetts Antitheatre Law of 1750 -- Notes -- Bibliography -- Index |
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Summary: | Looks at the music developed in New Hampshire from 1623-1800 as the state never had any anti-musical blue laws and its settlers were legally free to enjoy as much amusement of this kind as they chose. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231886833 9783110442489 |
DOI: | 10.7312/pich92062 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Louis Pichierri. |