History of the National Academy of Design 1825–1953 / / Eliot Clark.
A history of the National Academy of the Arts from its founding in 1802 to 1953. Topics include early constitutions, exhibitions, social affiliations, conflicts within the organization, and others.
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Place / Publishing House: | New York, NY : : Columbia University Press, , [1954] ©1954 |
Year of Publication: | 1954 |
Language: | English |
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Clark, Eliot, author. aut http://id.loc.gov/vocabulary/relators/aut History of the National Academy of Design 1825–1953 / Eliot Clark. New York, NY : Columbia University Press, [1954] ©1954 1 online resource (310 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- FOREWORD -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- Ι . ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- II. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- III. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- IV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- V. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- VI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- VII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- VIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- ΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- Χ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- XI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- XII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- XIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- XIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- XV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- XVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- XVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- APPENDIX -- SOURCES -- ACKNOWLEDGEMENTS -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A history of the National Academy of the Arts from its founding in 1802 to 1953. Topics include early constitutions, exhibitions, social affiliations, conflicts within the organization, and others. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) DESIGN / General. bisacsh White, Lawrence Grant, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 9783110442489 print 9780231914406 https://doi.org/10.7312/clar91440 https://www.degruyter.com/isbn/9780231883757 Cover https://www.degruyter.com/cover/covers/9780231883757.jpg |
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English |
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author |
Clark, Eliot, Clark, Eliot, |
spellingShingle |
Clark, Eliot, Clark, Eliot, History of the National Academy of Design 1825–1953 / Frontmatter -- FOREWORD -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- Ι . ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- II. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- III. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- IV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- V. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- VI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- VII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- VIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- ΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- Χ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- XI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- XII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- XIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- XIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- XV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- XVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- XVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- APPENDIX -- SOURCES -- ACKNOWLEDGEMENTS -- INDEX |
author_facet |
Clark, Eliot, Clark, Eliot, White, Lawrence Grant, White, Lawrence Grant, |
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VerfasserIn VerfasserIn |
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White, Lawrence Grant, White, Lawrence Grant, |
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MitwirkendeR MitwirkendeR |
author_sort |
Clark, Eliot, |
title |
History of the National Academy of Design 1825–1953 / |
title_full |
History of the National Academy of Design 1825–1953 / Eliot Clark. |
title_fullStr |
History of the National Academy of Design 1825–1953 / Eliot Clark. |
title_full_unstemmed |
History of the National Academy of Design 1825–1953 / Eliot Clark. |
title_auth |
History of the National Academy of Design 1825–1953 / |
title_alt |
Frontmatter -- FOREWORD -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- Ι . ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- II. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- III. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- IV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- V. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- VI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- VII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- VIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- ΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- Χ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- XI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- XII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- XIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- XIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- XV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- XVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- XVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- APPENDIX -- SOURCES -- ACKNOWLEDGEMENTS -- INDEX |
title_new |
History of the National Academy of Design 1825–1953 / |
title_sort |
history of the national academy of design 1825–1953 / |
publisher |
Columbia University Press, |
publishDate |
1954 |
physical |
1 online resource (310 p.) |
contents |
Frontmatter -- FOREWORD -- CONTENTS -- LIST OF ILLUSTRATIONS -- INTRODUCTION -- Ι . ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- II. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- III. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- IV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- V. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- VI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- VII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- VIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- ΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- Χ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- XI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- XII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- XIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- XIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- XV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- XVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- XVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- APPENDIX -- SOURCES -- ACKNOWLEDGEMENTS -- INDEX |
isbn |
9780231883757 9783110442489 9780231914406 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
N - Visual Arts |
callnumber-label |
N11 |
callnumber-sort |
N 211 N543 C5 |
url |
https://doi.org/10.7312/clar91440 https://www.degruyter.com/isbn/9780231883757 https://www.degruyter.com/cover/covers/9780231883757.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
707 - Education, research & related topics |
dewey-full |
707.152 |
dewey-sort |
3707.152 |
dewey-raw |
707.152 |
dewey-search |
707.152 |
doi_str_mv |
10.7312/clar91440 |
oclc_num |
1100434752 |
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History of the National Academy of Design 1825–1953 / |
container_title |
Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999 |
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ORIGINS: THE AMERICAN ACADEMY OF FINE ARTS FOUNDED IN NEW YORK, 1802. THE NEW YORK DRAWING ASSOCIATION. CAUSES FOR THE FORMATION OF THE NATIONAL ACADEMY OF DESIGN. THE FOUNDERS -- </subfield><subfield code="t">II. THE ACADEMY BEGINS: EARLY CONSTITUTIONS. THE SCHOOL. CHANGES OF LOCATION. CLINTON HALL -- </subfield><subfield code="t">III. YEARS OF CONFLICT: THE FIRST EXHIBITION. CONTROVERSY BETWEEN THE AMERICAN ACADEMY OF FINE ARTS AND THE NATIONAL ACADEMY OF DESIGN. JOHN TRUMBULL AND SAMUEL F. B. MORSE. THE END OF THE AMERICAN ACADEMY -- </subfield><subfield code="t">IV. AMERICAN PAINTING, 1825–1865: PORTRAITURE. LANDSCAPE. GENRE -- </subfield><subfield code="t">V. SOCIAL AFFILIATIONS: NOTABLE HONORARY MEMBERS. THE SKETCH CLUB AND OTHER GROUPS SPONSORED BY THE NATIONAL ACADEMY. THE ART UNION -- </subfield><subfield code="t">VI. A SERIES OF HOMES: SAMUEL MORSE INVENTS THE TELEGRAPH. THE DAGUERREOTYPE. THE ACADEMY MOVES TO 663 BROADWAY AND TO TENTH STREET AND FOURTH AVENUE. ARTISTS' RECEPTIONS. SALE OF THE BROADWAY PROPERTY. PURCHASE OF THE PROPERTY AT 2 3D STREET AND FOURTH AVENUE. CEREMONY CELEBRATING THE LAYING OF THE CORNERSTONE OF THE NEW BUILDING -- </subfield><subfield code="t">VII. AT 23D STREET: THE FIRST MEETING IN THE NEW BUILDING. EXHIBITIONS AND THE HANGING COMMITTEE. AMENDMENTS TO THE CONSTITUTION. THE ART STUDENTS LEAGUE. CENTENNIAL CELEBRATION, 1876 -- </subfield><subfield code="t">VIII. THE SOCIETY OF AMERICAN ARTISTS: STEPS LEADING TO THE FORMATION OF THE SOCIETY. THE SOCIETY MERGES WITH THE NATIONAL ACADEMY -- </subfield><subfield code="t">ΙΧ. CHANGES IN PICTORIAL CONCEPTION: THE DÜSSELDORF SCHOOL. THE TONALISTS. MUNICH. PARIS. THE SALONIERS. IMPRESSIONISM -- </subfield><subfield code="t">Χ. PROGRESS AND PROBLEMS: INAUGURATION OF PRIZES. CONTROVERSY RESULTING FROM THE USE OF GLASS OVER PICTURES. SALE OF 23D STREET PROPERTY. PURCHASE OF PROPERTY AT I09TH STREET AND AMSTERDAM AVENUE. THE NEW SCHOOL BUILDING -- </subfield><subfield code="t">XI. A NEW CENTURY: PRIZES AND BEQUESTS. THE SCHOOL. FIRE. THE SCHOOL THROUGH THE FIRST WORLD WAR AND UNTIL 1925 -- </subfield><subfield code="t">XII. CHANGING YEARS: ACADEMY EXHIBITIONS IN THE FINE ARTS GALLERY. CRITICS AND ARTISTS. FORMATION OF THE NATIONAL ACADEMY ASSOCIATION. THE FIRST WORLD WAR -- </subfield><subfield code="t">XIII. ART IN TURMOIL: “THE OLD GUARD”. THE AMERICAN TRADITION. WINSLOW HOMER. THOMAS EAKINS. “THE YOUNG RADICALS”. REALISM. END OF AN ERA -- </subfield><subfield code="t">XIV. THE SISTER ARTS: ARCHITECTURE. SCULPTURE. ENGRAVING. ETCHING -- </subfield><subfield code="t">XV. THE ACADEMY CONTINUES TO FLOURISH: THE CENTENARY. EXHIBITIONS IN WASHINGTON AND NEW YORK. CULTURAL AFFILIATION WITH NEW YORK UNIVERSITY. PRESIDENT BLASHFIELD DEFINES THE ROLE OF THE ACADEMY. SEARCH FOR A NEW HOME CONTINUED. THE MEMBERSHIP COMMITTEE -- </subfield><subfield code="t">XVI. ART IN A WORLD AT WAR: THE NEW YORK WORLD’S FAIR. PRESIDENT NICHOLS. THE ARCHER M. HUNTINGTON GIFT. THE MOVE TO FIFTH AVENUE. A SECOND FIRE. SALE OF PROPERTY AT 109TH STREET. THE SECOND WORLD WAR. VICTORY SHIP SAMUEL F. B. MORSE. THE ISIDOR FUND. THE ABBEY BEQUEST -- </subfield><subfield code="t">XVII. TOWARD OTHER TOMORROWS: THE EXHIBITION COMMITTEE. THE REVISED MEMBERSHIP COMMITTEE. 125TH ANNIVERSARY. EXHIBITION AND BANQUET IN HONOR OF SAMUEL F. B. MORSE. THE AMERICAN HERITAGE. REVISIONS OF THE CONSTITUTION. THE SCHOOL MOVES TO FIFTH AVENUE. THE “AVANT GARDE”. EVOLUTION OF THE ACADEMY EXHIBITIONS -- </subfield><subfield code="t">APPENDIX -- </subfield><subfield code="t">SOURCES -- </subfield><subfield code="t">ACKNOWLEDGEMENTS -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">A history of the National Academy of the Arts from its founding in 1802 to 1953. Topics include early constitutions, exhibitions, social affiliations, conflicts within the organization, and others.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">DESIGN / General.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">White, Lawrence Grant, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Columbia University Press eBook-Package Archive 1898-1999</subfield><subfield code="z">9783110442489</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780231914406</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/clar91440</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780231883757</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9780231883757.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-044248-9 Columbia University Press eBook-Package Archive 1898-1999</subfield><subfield code="c">1898</subfield><subfield code="d">1999</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_AD</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESTMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA18STMEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |