The Habima–Israel’S National Theater 1917–1977. a Study of Cultural Nationalism / / Emanuel Levy.

Examines the political, ideological, and artistic roles of the Habima theater between its founding in Moscow in 1917 to the 1970s. It attempts to identify underlying patterns of change in the roles, structure, and functions of the Habima theater, with its major objective to describe the specific cha...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Archive 1898-1999
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Place / Publishing House:New York, NY : : Columbia University Press, , [1979]
©1979
Year of Publication:1979
Language:English
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Physical Description:1 online resource (346 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Tables
  • Acknowledgments
  • Introduction
  • Part One. The Habima in Moscow: 1917–1926
  • 1. The Founding Group
  • 2. Ideology and Repertoire: 1917–1926
  • 3. The Social Context: Jewish and Russian
  • 4. The Social Structure of the Habima
  • Part Two. The Habima in Transition: 1926–1931
  • 5. The Habima in Europe and the United States
  • 6. The Search for a Permanent Home
  • Part Three. The Habima in Palestine: 1931–1948
  • 7. Ideology and Repertoire: 1931–1948
  • 8. The Habima and the Jewish Community of Palestine
  • 9. Organizational Structure: The Actors’ Collective
  • 10. Organizational Structure: Artistic and Administrative Direction: 1931–1948
  • Part Four. The Habima in the State of Israel: 1949–1977
  • 11. Ideology and Repertoire: 1949–1968
  • 12. The Habima and Israeli Society
  • 13. Organizational Structure: Artistic and Administrative Direction: 1949–1968
  • 14. The Search for an Artistic Identity: 1969–1977
  • Conclusion
  • Appendixes
  • Notes
  • Selected Bibliography
  • Index