Danger: Diabolik / / Leon Hunt.
Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal-part Fantômas, part James Bond-and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subvertin...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2018 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2018] ©2018 |
Year of Publication: | 2018 |
Language: | English |
Series: | Cultographies
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Online Access: | |
Physical Description: | 1 online resource :; ‹B›B&W Photos: ‹/B›12. |
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024 | 7 | |a 10.7312/hunt18281 |2 doi | |
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100 | 1 | |a Hunt, Leon, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Danger: Diabolik / |c Leon Hunt. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2018] | |
264 | 4 | |c ©2018 | |
300 | |a 1 online resource : |b ‹B›B&W Photos: ‹/B›12. | ||
336 | |a text |b txt |2 rdacontent | ||
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347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Cultographies | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction: Diabolik, chi sei? -- |t 1. From fumetto nero to 'wild and kooky cape-opera': Production, promotion, initial reception -- |t 2. 'Uh-oh - it's getting groovy!': The cult afterlife of Danger: Diabolik -- |t 3. Fantômas all'italiana: Analysis -- |t 4. Genius of Crime: The place of the film -- |t Notes -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Danger: Diabolik (1968) was adapted from a comic that has been a social phenomenon in Italy for over fifty years, featuring a masked master criminal-part Fantômas, part James Bond-and his elegant companion Eva Kant. The film partially reinvents the character as a countercultural prankster, subverting public officials and the national economy, and places him in a luxurious and futuristic underground hideout and Eva in a series of unforgettable outfits. A commercial disappointment on its original release, Danger: Diabolik's reputation has grown along with that of its director, Mario Bava, the quintessential cult auteur, while the pop-art glamour of its costumes and sets have caught the imagination of such people as Roman Coppola and the Beastie Boys.This study examines its status as a comic-book movie, including its relation both to the original fumetto and to its sister-film, Barbarella. It traces its production and initial reception in Italy, France, the U.S., and the UK, and its cult afterlife as both a pop-art classic and campy "bad film" featured in the final episode of Mystery Science Theatre 3000. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mrz 2022) | |
650 | 0 | |a Cult films |z Italy |x History. | |
650 | 0 | |a Motion pictures |z Italy |x History. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2018 |z 9783110606607 |
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776 | 0 | |c print |z 9780231182812 | |
856 | 4 | 0 | |u https://doi.org/10.7312/hunt18281 |
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