Cinéma Militant : : Political Filmmaking and May 1968 / / Paul Douglas Grant.
This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others w...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2016] ©2016 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (224 p.) |
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100 | 1 | |a Grant, Paul Douglas, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Cinéma Militant : |b Political Filmmaking and May 1968 / |c Paul Douglas Grant. |
264 | 1 | |a New York, NY : |b Columbia University Press, |c [2016] | |
264 | 4 | |c ©2016 | |
300 | |a 1 online resource (224 p.) | ||
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505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t Chapter 1. Wildcat Strikes and Wildcat Cinema in May '68: ARC (Atelier de recherche cinématographique) -- |t Chapter 2. Jean-Pierre Thorn: "No investigation, no right to speak" -- |t Chapter 3. Cinélutte: "Tout ce qui bouge est rouge" -- |t Chapter 4. Les groupes Medvedkine: Before and After Chris Marker -- |t Chapter 5. Of Theory and Peasants: Groupe Cinéthique -- |t Conclusion -- |t Notes -- |t Filmography -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a This history covers the filmmaking tradition often referred to as cinéma militant, which emerged in France during the events of May 1968 and flourished for a decade. While some films produced were created by established filmmakers, including Chris Marker, Jean-Luc Godard, and William Klein, others were helmed by left-wing filmmakers working in the extreme margins of French cinema. This latter group gave voice to underrepresented populations, such as undocumented immigrants (sans papiers), entry-level factory workers (ouvriers spécialisés), highly intellectual Marxist-Leninist collectives, and militant special interest groups. While this book spans the broad history of this uncharted tradition, it particularly focuses on these lesser-known figures and works and the films of Cinélutte, Les groupes medvedkine, Atelier de recherche cinématographique, Cinéthique, and the influential Marxist filmmaker Jean-Pierre Thorn. Each represent a certain tendency of this movement in French film history, offering an invaluable account of a tradition that also sought to share untold histories. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
650 | 0 | |a Motion pictures |x Political aspects |z France. | |
650 | 0 | |a Motion pictures |z France |x History. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2016 |z 9783110638578 |
776 | 0 | |c print |z 9780231176675 | |
856 | 4 | 0 | |u https://doi.org/10.7312/gran17666 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231851015 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231851015/original |
912 | |a 978-3-11-063857-8 Columbia University Press Complete eBook-Package 2016 |b 2016 | ||
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