Fast Forward : : The Future(s) of the Cinematic Arts /

Fast Forward : : The Future(s) of the Cinematic Arts / / Holly Willis.

Show other versions (1)

Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sha...

Full description

Saved in:
Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016
VerfasserIn:
Willis, Holly,
Place / Publishing House:New York, NY : : Columbia University Press, , [2016]
©2016
Year of Publication:2016
Language:English
Online Access:
Physical Description:1 online resource (224 p.)
Tags: Add Tag
No Tags, Be the first to tag this record!
id 9780231850971
ctrlnum (DE-B1597)479869
(OCoLC)984665459
collection bib_alma
record_format marc
spelling Willis, Holly, author. aut http://id.loc.gov/vocabulary/relators/aut
Fast Forward : The Future(s) of the Cinematic Arts / Holly Willis.
New York, NY : Columbia University Press, [2016]
©2016
1 online resource (224 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Acknowledgments -- Introduction The State of Things -- Chapter 1. Past, Present, Future: Situating Post-Cinema -- Chapter 2. New Practices / New Paradigms -- Chapter 3. Live Cinema -- Chapter 4. Urban Screens / Screened Urbanism -- Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling -- Chapter 6. Virtual Reality and the Networked Self -- Conclusion -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Mass media and language.
Motion picture industry.
Motion pictures and television.
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 9783110638578
print 9780231178938
https://doi.org/10.7312/will17892
https://www.degruyter.com/isbn/9780231850971
Cover https://www.degruyter.com/document/cover/isbn/9780231850971/original
language English
format eBook
author Willis, Holly,
Willis, Holly,
spellingShingle Willis, Holly,
Willis, Holly,
Fast Forward : The Future(s) of the Cinematic Arts /
Frontmatter --
Contents --
Acknowledgments --
Introduction The State of Things --
Chapter 1. Past, Present, Future: Situating Post-Cinema --
Chapter 2. New Practices / New Paradigms --
Chapter 3. Live Cinema --
Chapter 4. Urban Screens / Screened Urbanism --
Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling --
Chapter 6. Virtual Reality and the Networked Self --
Conclusion --
Notes --
Bibliography --
Index
author_facet Willis, Holly,
Willis, Holly,
author_variant h w hw
h w hw
author_role VerfasserIn
VerfasserIn
author_sort Willis, Holly,
title Fast Forward : The Future(s) of the Cinematic Arts /
title_sub The Future(s) of the Cinematic Arts /
title_full Fast Forward : The Future(s) of the Cinematic Arts / Holly Willis.
title_fullStr Fast Forward : The Future(s) of the Cinematic Arts / Holly Willis.
title_full_unstemmed Fast Forward : The Future(s) of the Cinematic Arts / Holly Willis.
title_auth Fast Forward : The Future(s) of the Cinematic Arts /
title_alt Frontmatter --
Contents --
Acknowledgments --
Introduction The State of Things --
Chapter 1. Past, Present, Future: Situating Post-Cinema --
Chapter 2. New Practices / New Paradigms --
Chapter 3. Live Cinema --
Chapter 4. Urban Screens / Screened Urbanism --
Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling --
Chapter 6. Virtual Reality and the Networked Self --
Conclusion --
Notes --
Bibliography --
Index
title_new Fast Forward :
title_sort fast forward : the future(s) of the cinematic arts /
publisher Columbia University Press,
publishDate 2016
physical 1 online resource (224 p.)
Issued also in print.
contents Frontmatter --
Contents --
Acknowledgments --
Introduction The State of Things --
Chapter 1. Past, Present, Future: Situating Post-Cinema --
Chapter 2. New Practices / New Paradigms --
Chapter 3. Live Cinema --
Chapter 4. Urban Screens / Screened Urbanism --
Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling --
Chapter 6. Virtual Reality and the Networked Self --
Conclusion --
Notes --
Bibliography --
Index
isbn 9780231850971
9783110638578
9780231178938
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1992
callnumber-sort PN 41992.66
url https://doi.org/10.7312/will17892
https://www.degruyter.com/isbn/9780231850971
https://www.degruyter.com/document/cover/isbn/9780231850971/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.43
dewey-sort 3791.43
dewey-raw 791.43
dewey-search 791.43
doi_str_mv 10.7312/will17892
oclc_num 984665459
work_keys_str_mv AT willisholly fastforwardthefuturesofthecinematicarts
status_str n
ids_txt_mv (DE-B1597)479869
(OCoLC)984665459
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016
is_hierarchy_title Fast Forward : The Future(s) of the Cinematic Arts /
container_title Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016
_version_ 1770176087044653056
fullrecord <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04229nam a22007215i 4500</leader><controlfield tag="001">9780231850971</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220302035458.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220302t20162016nyu fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231850971</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.7312/will17892</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)479869</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)984665459</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">nyu</subfield><subfield code="c">US-NY</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1992.66</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.43</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Willis, Holly, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Fast Forward :</subfield><subfield code="b">The Future(s) of the Cinematic Arts /</subfield><subfield code="c">Holly Willis.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY : </subfield><subfield code="b">Columbia University Press, </subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2016</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (224 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">Acknowledgments -- </subfield><subfield code="t">Introduction The State of Things -- </subfield><subfield code="t">Chapter 1. Past, Present, Future: Situating Post-Cinema -- </subfield><subfield code="t">Chapter 2. New Practices / New Paradigms -- </subfield><subfield code="t">Chapter 3. Live Cinema -- </subfield><subfield code="t">Chapter 4. Urban Screens / Screened Urbanism -- </subfield><subfield code="t">Chapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling -- </subfield><subfield code="t">Chapter 6. Virtual Reality and the Networked Self -- </subfield><subfield code="t">Conclusion -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Mass media and language.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture industry.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures and television.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film &amp; Video / History &amp; Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Columbia University Press Complete eBook-Package 2016</subfield><subfield code="z">9783110638578</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9780231178938</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.7312/will17892</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780231850971</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9780231850971/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-063857-8 Columbia University Press Complete eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>

Similar Items