The Cinema of Hal Hartley : : Flirting with Formalism / / ed. by Steven Rybin.
Over the course of nearly thirty years, Hal Hartley has cultivated a reputation as one of America's most steadfastly independent film directors. From his breakthrough films - The Unbelievable Truth (1989), Trust (1990), and Simple Men (1992) - to his recently completed 'Henry Fool' tr...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2016 |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2016] ©2016 |
| Year of Publication: | 2016 |
| Language: | English |
| Series: | Directors' Cuts
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| Online Access: | |
| Physical Description: | 1 online resource (224 p.) :; 24 b&w illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgements
- Notes on Contributors
- Introduction: Hal Hartley: A Quality of Attention Steven Rybin
- 1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition David Bordwell
- 2. 'Young. Middle-Class. College-Educated. Unskilled.': Hal Hartley in 1991 Mark L. Berrettini
- 3. 'Some Things Shouldn't Be Fixed': Frameworks of Critical Reception and the Early Career of Hal Hartley Jason Davids Scott
- 4. The Locality of Hal Hartley: The Aesthetics and Business of Smallness Steven Rawle
- 5. Hal Hartley's Romantic Comedy Sebastian Manley
- 6. A New Man: The Logic of the Break in Hal Hartley's Amateur Daniel Varndell
- 7. Not Getting It: Flirt as Anti-Puzzle Film Steven Rybin
- 8. Poiesis and Media in The Book of Life and No Such Thing Fernando Gabriel Pagnoni Berns
- 9. Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors) Zachary Tavlin
- 10. Parker Posey as Hal Hartley's 'Captive Actress'
- 11. The Figure Who Writes: On the Henry Fool Trilogy
- Filmography
- Bibliography
- Index