Film Programming : : Curating for Cinemas, Festivals, Archives / / Peter Bosma.
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the in...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
| Series: | Short Cuts
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| Online Access: | |
| Physical Description: | 1 online resource (144 p.) :; 6 b&w |
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| 100 | 1 | |a Bosma, Peter, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Film Programming : |b Curating for Cinemas, Festivals, Archives / |c Peter Bosma. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2015] | |
| 264 | 4 | |c ©2015 | |
| 300 | |a 1 online resource (144 p.) : |b 6 b&w | ||
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| 490 | 0 | |a Short Cuts | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGEMENTS -- |t INTRODUCTION -- |t 1. Reflection -- |t 2. Cinephilia as a Curatorial Element -- |t 3. The Network of Intermediaries -- |t 4. Curating Film Theatres -- |t 5. Curating Film Festivals -- |t 6. Curating Film Archives -- |t 7. Case Studies -- |t 8. Conclusion: Final Words -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers-everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Curatorship. | |
| 650 | 0 | |a Film archives. | |
| 650 | 0 | |a Film festival programs. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
| 776 | 0 | |c print |z 9780231174596 | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/bosm17459 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231850827 |
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