The Cinema of the Coen Brothers : : Hard-Boiled Entertainments / / Jeffrey Adams.

The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain ma...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015
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Place / Publishing House:New York, NY : : Columbia University Press, , [2015]
©2015
Year of Publication:2015
Language:English
Series:Directors' Cuts
Online Access:
Physical Description:1 online resource (240 p.) :; 24 b&w
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100 1 |a Adams, Jeffrey,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 4 |a The Cinema of the Coen Brothers :  |b Hard-Boiled Entertainments /  |c Jeffrey Adams. 
264 1 |a New York, NY :   |b Columbia University Press,   |c [2015] 
264 4 |c ©2015 
300 |a 1 online resource (240 p.) :  |b 24 b&w 
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgements --   |t INTRODUCTION --   |t 1. Blood Simple: 'It's the same old song' --   |t 2. Raising Arizona: A State of Mind --   |t 3. Miller's Crossing: 'A Handsome Movie about Men in Hats' --   |t Barton Fink: 'For the Common Man' --   |t The Hudsucker Proxy: A Comedy of Reinvention --   |t Fargo: In the Land of Tall Tales --   |t 7. The Big Lebowski: 'The Dude Abides' --   |t 8. O Brother, Where Art Thou?: The Hayseed Epic --   |t 9. The Man Who Wasn't There: Recreating Classic Film Noir --   |t 10. No Country for Old Men: Darkness in the New West --   |t 11. A Serious Man: Parable and Paradox --   |t Conclusion: The Ends of the Auteur: Drawing Conclusions About Coen Brothers Movies --   |t Filmography --   |t Bibliography --   |t Index 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a The films of the Coen brothers have become a contemporary cultural phenomenon. Highly acclaimed and commercially successful, over the years their movies have attracted increasingly larger audiences and spawned a subculture of dedicated fans. Shunning fame and celebrity, Ethan and Joel Coen remain maverick filmmakers, producing and directing independent films outside the Hollywood mainstream in a unique style combining classic genres like film noir with black comedy to tell off-beat stories about America and the American Dream. This study surveys Oscar-winning films, such as Fargo (1996) and No Country for Old Men (2007), as well as cult favorites, including O Brother, Where Art Thou? (2000) and The Big Lebowski (1998). Beginning with Blood Simple (1984), it examines major themes and generic constructs and offers diverse approaches to the Coens' enigmatic films. Pointing to the pulp fiction of Dashiell Hammett, James M. Cain, and Raymond Chandler, the study appreciates the postmodern aesthetics of the Coens' intertextual creativity. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Coen, Ethan -- Interviews. 
650 0 |a Coen, Joel -- Interviews. 
650 0 |a Motion picture producers and directors -- United States -- Interviews. 
650 0 |a Motion pictures. 
650 7 |a PERFORMING ARTS / Film & Video / History & Criticism.  |2 bisacsh 
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776 0 |c print  |z 9780231174619 
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