Latin Hitchcock : : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / / Dona Kercher.
This study explores how five major directors-Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro, and Juan José Campanella-modeled their early careers on Hitchcock and his film aesthetics. In shadowing Hitchcock, their works embraced the global aspirations his movies epitomiz...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
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| Place / Publishing House: | New York, NY : : Columbia University Press, , [2015] ©2015 |
| Year of Publication: | 2015 |
| Language: | English |
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| Physical Description: | 1 online resource (392 p.) |
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9780231850735 |
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2015373278 |
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Kercher, Dona, author. aut http://id.loc.gov/vocabulary/relators/aut Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / Dona Kercher. New York, NY : Columbia University Press, [2015] ©2015 1 online resource (392 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Spain -- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain -- Chapter Two. Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style -- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy -- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career -- Part II: Latin America -- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City -- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror -- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella -- Conclusion. They Became Notorious -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star This study explores how five major directors-Pedro Almodóvar, Alejandro Amenábar, Alex de la Iglesia, Guillermo del Toro, and Juan José Campanella-modeled their early careers on Hitchcock and his film aesthetics. In shadowing Hitchcock, their works embraced the global aspirations his movies epitomize. Each section of the book begins with an extensive study, based on newspaper accounts, of the original reception of Hitchcock's movies in either Spain or Latin America and how local preferences for genre, glamour, moral issues, and humor affected their success. The text brings a new approach to world film history, showcasing both the commercial and artistic importance of Hitchcock in Spain and Latin America Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Motion pictures, Spanish History and criticism. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 9783110665864 print 9780231172097 https://doi.org/10.7312/kerc17208 https://www.degruyter.com/isbn/9780231850735 Cover https://www.degruyter.com/document/cover/isbn/9780231850735/original |
| language |
English |
| format |
eBook |
| author |
Kercher, Dona, Kercher, Dona, |
| spellingShingle |
Kercher, Dona, Kercher, Dona, Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Spain -- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain -- Chapter Two. Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style -- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy -- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career -- Part II: Latin America -- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City -- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror -- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella -- Conclusion. They Became Notorious -- Bibliography -- Index |
| author_facet |
Kercher, Dona, Kercher, Dona, |
| author_variant |
d k dk d k dk |
| author_role |
VerfasserIn VerfasserIn |
| author_sort |
Kercher, Dona, |
| title |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / |
| title_sub |
How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / |
| title_full |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / Dona Kercher. |
| title_fullStr |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / Dona Kercher. |
| title_full_unstemmed |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / Dona Kercher. |
| title_auth |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / |
| title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Spain -- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain -- Chapter Two. Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style -- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy -- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career -- Part II: Latin America -- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City -- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror -- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella -- Conclusion. They Became Notorious -- Bibliography -- Index |
| title_new |
Latin Hitchcock : |
| title_sort |
latin hitchcock : how almodóvar, amenábar, de la iglesia, del toro, and campanella became notorious / |
| publisher |
Columbia University Press, |
| publishDate |
2015 |
| physical |
1 online resource (392 p.) Issued also in print. |
| contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I: Spain -- Chapter One. First Loves, First Cuts: The Initial Response to Hitchcock's Films in Spain -- Chapter Two. Pedro Almodóvar's Criminal Side: Plot, Humour and Cinematic Style -- Chapter Three. Drawing on a Darker Humour, Cultural Icons and Mass Media: Alex de la Iglesia's Journey from Outer Space to the Spanish Academy -- Chapter Four. Against Hitchcock: Alejandro Amenabar's Meteoric Career -- Part II: Latin America -- Chapter Five. Latin American Openings: The Reception History Of Hitchcock's Films For Mexico City -- Chapter Six. Guillermo Del Toro's Continuing Education: Adapting Hitchcock's Moral And Visual Sensibilities To The World Of Horror -- Chapter Seven. Understanding Osmosis: Hitchcock In Argentina Through The Eyes Of Juan Jose Campanella -- Conclusion. They Became Notorious -- Bibliography -- Index |
| isbn |
9780231850735 9783110665864 9780231172097 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1998 |
| callnumber-sort |
PN 41998.3 H58 K45 42015 |
| url |
https://doi.org/10.7312/kerc17208 https://www.degruyter.com/isbn/9780231850735 https://www.degruyter.com/document/cover/isbn/9780231850735/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
790 - Sports, games & entertainment |
| dewey-ones |
791 - Public performances |
| dewey-full |
791.4302/33092 |
| dewey-sort |
3791.4302 533092 |
| dewey-raw |
791.4302/33092 |
| dewey-search |
791.4302/33092 |
| doi_str_mv |
10.7312/kerc17208 |
| oclc_num |
979832303 |
| work_keys_str_mv |
AT kercherdona latinhitchcockhowalmodovaramenabardelaiglesiadeltoroandcampanellabecamenotorious |
| status_str |
n |
| ids_txt_mv |
(DE-B1597)458390 (OCoLC)979832303 |
| carrierType_str_mv |
cr |
| hierarchy_parent_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
| is_hierarchy_title |
Latin Hitchcock : How Almodóvar, Amenábar, De la Iglesia, Del Toro, and Campanella Became Notorious / |
| container_title |
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
| _version_ |
1770176086979641344 |
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