The Cinema of James Cameron : : Bodies in Heroic Motion / / James Clarke.
This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Series: | Directors' Cuts
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| Online Access: | |
| Physical Description: | 1 online resource (224 p.) :; 50 B&W |
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| 100 | 1 | |a Clarke, James, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 4 | |a The Cinema of James Cameron : |b Bodies in Heroic Motion / |c James Clarke. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (224 p.) : |b 50 B&W | ||
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| 347 | |a text file |b PDF |2 rda | ||
| 490 | 0 | |a Directors' Cuts | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgements -- |t Introduction -- |t 1. Genesis: From Short Film Visions to Low-Budget Monster Movie -- |t 2. The Terminator (1984) -- |t 3. Aliens (1986) -- |t 4. The Abyss (1989) -- |t 5. Terminator 2: Judgement Day (1991) -- |t 6. True Lies (1994) -- |t 7. Titanic (1997) -- |t 8. Avatar (2009) -- |t 9. Cameron's Documentaries -- |t 10. Cameron as Writer and Producer -- |t Filmography -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Motion picture producers and directors |x Canada. | |
| 650 | 0 | |a Motion picture producers and directors |z Canada. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
| 776 | 0 | |c print |z 9780231169776 | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/clar16976 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231850629 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231850629/original |
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