Quadrophenia / / Stephen Glynn.
1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cu...
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| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2014] ©2014 |
| Year of Publication: | 2014 |
| Language: | English |
| Series: | Cultographies
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| Online Access: | |
| Physical Description: | 1 online resource (144 p.) :; 40 |
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| 001 | 9780231850551 | ||
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| 100 | 1 | |a Glynn, Stephen, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
| 245 | 1 | 0 | |a Quadrophenia / |c Stephen Glynn. |
| 264 | 1 | |a New York, NY : |b Columbia University Press, |c [2014] | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 1 online resource (144 p.) : |b 40 | ||
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| 490 | 0 | |a Cultographies | |
| 505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t Acknowledgements -- |t Foreword -- |t 1. Prequel: Cult into Music -- |t 2. Production: Cult into Film -- |t 3. Analysis: Film of Cult -- |t 4. Reception and Afterlife: Film into Cult -- |t Epilogue -- |t Appendix -- |t Notes -- |t Bibliography -- |t Index |
| 506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a 1964: Mods clash with Rockers in Brighton, creating a moral panic. 1973: ex-Mod band The Who release Quadrophenia, a concept album following young Mod Jimmy Cooper to the Brighton riots and beyond. 1979: Franc Roddam directs Quadrophenia, a film based on Pete Townshend's album narrative; its cult status is immediate. 2013: almost fifty years on from Brighton, this first academic study explores the lasting appeal of 'England's Rebel Without a Cause'. Investigating academic, music, press, and fan-based responses, Glynn argues that the 'Modyssey' enacted in Quadrophenia intrigues because it opens a hermetic subculture to its social-realist context; it enriches because it is a cult film that dares to explore the dangers in being part of a cult; it endures because of its 'emotional honesty', showing Jimmy as failing, with family, job, girl, and group; it excites because we all know that, at some point in our lives, 'I was there!' | ||
| 530 | |a Issued also in print. | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English. | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | |a Mod culture (Subculture) | |
| 650 | 0 | |a Motion pictures |x Production and direction. | |
| 650 | 0 | |a Rocker culture. | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
| 773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Columbia University Press Complete eBook-Package 2014-2015 |z 9783110665864 |
| 776 | 0 | |c print |z 9780231167413 | |
| 856 | 4 | 0 | |u https://doi.org/10.7312/glyn16741 |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780231850551 |
| 856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9780231850551/original |
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