Faster, Pussycat! Kill! Kill! / / Dean DeFino.

Russ Meyer's Faster, Pussycat! Kill! Kill! (1965) is an enigma. A box-office failure when initially released on the grindhouse circuit, it has since been embraced by art-house audiences, and referenced in countless films, television series, and songs. A riot of styles and story clichés lifted f...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015
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Place / Publishing House:New York, NY : : Columbia University Press, , [2014]
©2014
Year of Publication:2014
Language:English
Series:Cultographies
Online Access:
Physical Description:1 online resource (144 p.) :; 40
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505 0 0 |t Frontmatter --   |t Contents --   |t Acknowledgements --   |t Introduction. Russ Meyer and Me --   |t 1. The Pussycats Gear Up --   |t 2. The Pussycats Find Their Audience --   |t 3. Seeing America First --   |t 4. Pussycats and Satyrs --   |t 5. A Velvet Glove Cast in Iron --   |t Notes --   |t Bibliography --   |t Index 
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520 |a Russ Meyer's Faster, Pussycat! Kill! Kill! (1965) is an enigma. A box-office failure when initially released on the grindhouse circuit, it has since been embraced by art-house audiences, and referenced in countless films, television series, and songs. A riot of styles and story clichés lifted from biker, juvenile delinquency, and beach party movies, it has the coherence of a dream, and the improvisatory daring of a jazz solo. John Waters has called it the greatest movie ever made, and Quentin Tarantino has long promised to remake it. But what draws them, and so many other cult fans to Pussycat? To help answer that question, this book looks at the production and critical reception of the film, its place within the cultural history of the 1960s, its representations of gender and sexuality, and the specific ways it meets the criteria of a cult film. 
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588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) 
650 0 |a Cult films  |z United States  |x History and criticism. 
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