The Cinema of Alexander Sokurov : : Figures of Paradox / / Jeremi Szaniawski.

One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his f...

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Year of Publication:2014
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The Cinema of Alexander Sokurov : Figures of Paradox / Jeremi Szaniawski.
New York, NY : Columbia University Press, [2014]
©2014
1 online resource (256 p.) : 20
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Directors' Cuts
Frontmatter -- Contents -- Acknowledgements -- Preface -- Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov -- 1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes -- 2. Mournful Insensitivity: The Apocalypse of the Modern -- 3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky -- 4. Save and Protect: Of Angels and Flies -- 5. The Second Circle: Winter, Light, and the Intimate Sublime -- 6. The Stone: No Way Home -- 7. Whispering Pages: Death, Nothingness, Memory -- 8. Mother and Son: Time Abolished, Time Transfigured -- 9. Moloch: Adi (and Eve): Fear Eats the Soul -- 10. Taurus: 'Father, where art thou?' -- 11. Russian Ark: Imperial Elegy -- 12. Father and Son: Beyond Absolute Intimacy -- 13. The Sun: Iconoclastic Humanism -- 14. Alexandra: The Return to Neverwas and the Ambiguity of Romance -- 15. Faust: Sokurov Waltz -- Postscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust) -- Conclusion. The (Im)Possibility of an Island -- Postface -- Addendum A: interview with Alexander Sokurov, 2005 -- Addendum B: interview with Alexander Sokurov, 2013 -- Filmography -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
One of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema - a deeply original and complex body of work in dialogue with the past, the present and the future.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Sokurov, Aleksandr 1951- / Criticism and interpretation Sokurov, Aleksandr 1951- / Critique et interprétation / Sokurov, Aleksandr 1951- Motion picture producers and directors / Russia (Federation) Producteurs et réalisateurs de cinéma / Russie Cinéma / Russie Paradoxes / Criticism, interpretation, etc.
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015 9783110665864
print 9780231167352
https://doi.org/10.7312/szan16734
https://www.degruyter.com/isbn/9780231850520
Cover https://www.degruyter.com/document/cover/isbn/9780231850520/original
language English
format eBook
author Szaniawski, Jeremi,
Szaniawski, Jeremi,
spellingShingle Szaniawski, Jeremi,
Szaniawski, Jeremi,
The Cinema of Alexander Sokurov : Figures of Paradox /
Directors' Cuts
Frontmatter --
Contents --
Acknowledgements --
Preface --
Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov --
1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes --
2. Mournful Insensitivity: The Apocalypse of the Modern --
3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky --
4. Save and Protect: Of Angels and Flies --
5. The Second Circle: Winter, Light, and the Intimate Sublime --
6. The Stone: No Way Home --
7. Whispering Pages: Death, Nothingness, Memory --
8. Mother and Son: Time Abolished, Time Transfigured --
9. Moloch: Adi (and Eve): Fear Eats the Soul --
10. Taurus: 'Father, where art thou?' --
11. Russian Ark: Imperial Elegy --
12. Father and Son: Beyond Absolute Intimacy --
13. The Sun: Iconoclastic Humanism --
14. Alexandra: The Return to Neverwas and the Ambiguity of Romance --
15. Faust: Sokurov Waltz --
Postscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust) --
Conclusion. The (Im)Possibility of an Island --
Postface --
Addendum A: interview with Alexander Sokurov, 2005 --
Addendum B: interview with Alexander Sokurov, 2013 --
Filmography --
Bibliography --
Index
author_facet Szaniawski, Jeremi,
Szaniawski, Jeremi,
author_variant j s js
j s js
author_role VerfasserIn
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author_sort Szaniawski, Jeremi,
title The Cinema of Alexander Sokurov : Figures of Paradox /
title_sub Figures of Paradox /
title_full The Cinema of Alexander Sokurov : Figures of Paradox / Jeremi Szaniawski.
title_fullStr The Cinema of Alexander Sokurov : Figures of Paradox / Jeremi Szaniawski.
title_full_unstemmed The Cinema of Alexander Sokurov : Figures of Paradox / Jeremi Szaniawski.
title_auth The Cinema of Alexander Sokurov : Figures of Paradox /
title_alt Frontmatter --
Contents --
Acknowledgements --
Preface --
Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov --
1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes --
2. Mournful Insensitivity: The Apocalypse of the Modern --
3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky --
4. Save and Protect: Of Angels and Flies --
5. The Second Circle: Winter, Light, and the Intimate Sublime --
6. The Stone: No Way Home --
7. Whispering Pages: Death, Nothingness, Memory --
8. Mother and Son: Time Abolished, Time Transfigured --
9. Moloch: Adi (and Eve): Fear Eats the Soul --
10. Taurus: 'Father, where art thou?' --
11. Russian Ark: Imperial Elegy --
12. Father and Son: Beyond Absolute Intimacy --
13. The Sun: Iconoclastic Humanism --
14. Alexandra: The Return to Neverwas and the Ambiguity of Romance --
15. Faust: Sokurov Waltz --
Postscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust) --
Conclusion. The (Im)Possibility of an Island --
Postface --
Addendum A: interview with Alexander Sokurov, 2005 --
Addendum B: interview with Alexander Sokurov, 2013 --
Filmography --
Bibliography --
Index
title_new The Cinema of Alexander Sokurov :
title_sort the cinema of alexander sokurov : figures of paradox /
series Directors' Cuts
series2 Directors' Cuts
publisher Columbia University Press,
publishDate 2014
physical 1 online resource (256 p.) : 20
Issued also in print.
contents Frontmatter --
Contents --
Acknowledgements --
Preface --
Introduction: The Fragment and the Infinite, or, the Hypothesis of the Third Term in the Cinema of Alexander Sokurov --
1. Lonely Voice of Man: Singular Murmurs, Multiple Echoes --
2. Mournful Insensitivity: The Apocalypse of the Modern --
3. Days of the Eclipse: 'Adieu, Babylone'; Adieu, Tarkovsky --
4. Save and Protect: Of Angels and Flies --
5. The Second Circle: Winter, Light, and the Intimate Sublime --
6. The Stone: No Way Home --
7. Whispering Pages: Death, Nothingness, Memory --
8. Mother and Son: Time Abolished, Time Transfigured --
9. Moloch: Adi (and Eve): Fear Eats the Soul --
10. Taurus: 'Father, where art thou?' --
11. Russian Ark: Imperial Elegy --
12. Father and Son: Beyond Absolute Intimacy --
13. The Sun: Iconoclastic Humanism --
14. Alexandra: The Return to Neverwas and the Ambiguity of Romance --
15. Faust: Sokurov Waltz --
Postscript. On the Poetics of Space in Sokurov's Tetralogy (Moloch/Taurus/ The Sun/Faust) --
Conclusion. The (Im)Possibility of an Island --
Postface --
Addendum A: interview with Alexander Sokurov, 2005 --
Addendum B: interview with Alexander Sokurov, 2013 --
Filmography --
Bibliography --
Index
isbn 9780231850520
9783110665864
9780231167352
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3 S596
url https://doi.org/10.7312/szan16734
https://www.degruyter.com/isbn/9780231850520
https://www.degruyter.com/document/cover/isbn/9780231850520/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430233092
dewey-sort 3791.430233092
dewey-raw 791.430233092
dewey-search 791.430233092
doi_str_mv 10.7312/szan16734
oclc_num 979909990
work_keys_str_mv AT szaniawskijeremi thecinemaofalexandersokurovfiguresofparadox
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is_hierarchy_title The Cinema of Alexander Sokurov : Figures of Paradox /
container_title Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2014-2015
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