Neo-Noir / / ed. by Mark Bould, Greg Tuck, Kathrina Glitre.
Neo-noir knows its past. It knows the rules of the game - and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2009] ©2009 |
Year of Publication: | 2009 |
Language: | English |
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Physical Description: | 1 online resource (272 p.) :; 16 illus. |
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Neo-Noir / ed. by Mark Bould, Greg Tuck, Kathrina Glitre. New York, NY : Columbia University Press, [2009] ©2009 1 online resource (272 p.) : 16 illus. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Notes on Contributors -- Foreword: 'If Only My Leg Didn't Itch' -- Parallax Views: An Introduction -- 1. Under the Neon Rainbow: Colour and Neo-Noir -- 2. Audio-Noir: Audiovisuality in Neo-Modernist Noir -- 3. Paranoia and Nostalgia: Sonic Motifs and Songs in Neo-Noir -- 4. The End of Work: From Double Indemnity to Body Heat -- 5. Worlds Without Consequence: Two Versions of Film Noir in the 1980s -- 6. From Lonely Streets to Lonely Rooms: Prefiguration, Affective Responses and the Max Payne Single-Player -- 7. The New Lower Depths: Paris in French Neo-Noir Cinema -- 8. The Shadow of Outlaws in Asian Noir: Hiroshima, Hong Kong and Seoul -- 9. British Neo-Noir and Reification: Croupier and Dirty Pretty Things -- 10. Laughter in the Dark: Irony, Black Comedy and Noir in the Films of David Lynch, the Coen Brothers and Quentin Tarantino -- 11. A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama -- 12. Neo-Noir's Fatal Woman: Stardom, Survival and Sharon Stone -- 13. Fatality Revisited: The Problem of 'Anxiety' in Psychoanalytic-Feminist Approaches to Film Noir -- 14. The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist -- 15. Memento: Pasting Ourselves Together Through Cinema -- Filmography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Neo-noir knows its past. It knows the rules of the game - and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Film noir History and criticism. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Bould, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bould, Mark, editor. edt http://id.loc.gov/vocabulary/relators/edt Feasey, Rebecca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Freedman, Carl, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gallafent, Edward, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Glitre, Kathrina, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Glitre, Kathrina, editor. edt http://id.loc.gov/vocabulary/relators/edt Gordon, Suzy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hanson, Helen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hodges, Mike, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hodges, Mike. Lee, Hyangjin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Miklitsch, Robert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Thomas, Deborah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tuck, Greg, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tuck, Greg, editor. edt http://id.loc.gov/vocabulary/relators/edt Vincendeau, Ginette, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vint, Sherryl, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wayne, Mike, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Williams, Linda Ruth, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 9783110442472 print 9781906660178 https://doi.org/10.7312/boul6018 https://www.degruyter.com/isbn/9780231850476 Cover https://www.degruyter.com/document/cover/isbn/9780231850476/original |
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author2 |
Bould, Mark, Bould, Mark, Bould, Mark, Bould, Mark, Feasey, Rebecca, Feasey, Rebecca, Freedman, Carl, Freedman, Carl, Gallafent, Edward, Gallafent, Edward, Glitre, Kathrina, Glitre, Kathrina, Glitre, Kathrina, Glitre, Kathrina, Gordon, Suzy, Gordon, Suzy, Hanson, Helen, Hanson, Helen, Hodges, Mike, Hodges, Mike, Hodges, Mike. Lee, Hyangjin, Lee, Hyangjin, Miklitsch, Robert, Miklitsch, Robert, Thomas, Deborah, Thomas, Deborah, Tuck, Greg, Tuck, Greg, Tuck, Greg, Tuck, Greg, Vincendeau, Ginette, Vincendeau, Ginette, Vint, Sherryl, Vint, Sherryl, Wayne, Mike, Wayne, Mike, Williams, Linda Ruth, Williams, Linda Ruth, |
author_facet |
Bould, Mark, Bould, Mark, Bould, Mark, Bould, Mark, Feasey, Rebecca, Feasey, Rebecca, Freedman, Carl, Freedman, Carl, Gallafent, Edward, Gallafent, Edward, Glitre, Kathrina, Glitre, Kathrina, Glitre, Kathrina, Glitre, Kathrina, Gordon, Suzy, Gordon, Suzy, Hanson, Helen, Hanson, Helen, Hodges, Mike, Hodges, Mike, Hodges, Mike. Lee, Hyangjin, Lee, Hyangjin, Miklitsch, Robert, Miklitsch, Robert, Thomas, Deborah, Thomas, Deborah, Tuck, Greg, Tuck, Greg, Tuck, Greg, Tuck, Greg, Vincendeau, Ginette, Vincendeau, Ginette, Vint, Sherryl, Vint, Sherryl, Wayne, Mike, Wayne, Mike, Williams, Linda Ruth, Williams, Linda Ruth, |
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author_sort |
Bould, Mark, |
title |
Neo-Noir / |
spellingShingle |
Neo-Noir / Frontmatter -- Contents -- Notes on Contributors -- Foreword: 'If Only My Leg Didn't Itch' -- Parallax Views: An Introduction -- 1. Under the Neon Rainbow: Colour and Neo-Noir -- 2. Audio-Noir: Audiovisuality in Neo-Modernist Noir -- 3. Paranoia and Nostalgia: Sonic Motifs and Songs in Neo-Noir -- 4. The End of Work: From Double Indemnity to Body Heat -- 5. Worlds Without Consequence: Two Versions of Film Noir in the 1980s -- 6. From Lonely Streets to Lonely Rooms: Prefiguration, Affective Responses and the Max Payne Single-Player -- 7. The New Lower Depths: Paris in French Neo-Noir Cinema -- 8. The Shadow of Outlaws in Asian Noir: Hiroshima, Hong Kong and Seoul -- 9. British Neo-Noir and Reification: Croupier and Dirty Pretty Things -- 10. Laughter in the Dark: Irony, Black Comedy and Noir in the Films of David Lynch, the Coen Brothers and Quentin Tarantino -- 11. A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama -- 12. Neo-Noir's Fatal Woman: Stardom, Survival and Sharon Stone -- 13. Fatality Revisited: The Problem of 'Anxiety' in Psychoanalytic-Feminist Approaches to Film Noir -- 14. The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist -- 15. Memento: Pasting Ourselves Together Through Cinema -- Filmography -- Index |
title_full |
Neo-Noir / ed. by Mark Bould, Greg Tuck, Kathrina Glitre. |
title_fullStr |
Neo-Noir / ed. by Mark Bould, Greg Tuck, Kathrina Glitre. |
title_full_unstemmed |
Neo-Noir / ed. by Mark Bould, Greg Tuck, Kathrina Glitre. |
title_auth |
Neo-Noir / |
title_alt |
Frontmatter -- Contents -- Notes on Contributors -- Foreword: 'If Only My Leg Didn't Itch' -- Parallax Views: An Introduction -- 1. Under the Neon Rainbow: Colour and Neo-Noir -- 2. Audio-Noir: Audiovisuality in Neo-Modernist Noir -- 3. Paranoia and Nostalgia: Sonic Motifs and Songs in Neo-Noir -- 4. The End of Work: From Double Indemnity to Body Heat -- 5. Worlds Without Consequence: Two Versions of Film Noir in the 1980s -- 6. From Lonely Streets to Lonely Rooms: Prefiguration, Affective Responses and the Max Payne Single-Player -- 7. The New Lower Depths: Paris in French Neo-Noir Cinema -- 8. The Shadow of Outlaws in Asian Noir: Hiroshima, Hong Kong and Seoul -- 9. British Neo-Noir and Reification: Croupier and Dirty Pretty Things -- 10. Laughter in the Dark: Irony, Black Comedy and Noir in the Films of David Lynch, the Coen Brothers and Quentin Tarantino -- 11. A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama -- 12. Neo-Noir's Fatal Woman: Stardom, Survival and Sharon Stone -- 13. Fatality Revisited: The Problem of 'Anxiety' in Psychoanalytic-Feminist Approaches to Film Noir -- 14. The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist -- 15. Memento: Pasting Ourselves Together Through Cinema -- Filmography -- Index |
title_new |
Neo-Noir / |
title_sort |
neo-noir / |
publisher |
Columbia University Press, |
publishDate |
2009 |
physical |
1 online resource (272 p.) : 16 illus. Issued also in print. |
contents |
Frontmatter -- Contents -- Notes on Contributors -- Foreword: 'If Only My Leg Didn't Itch' -- Parallax Views: An Introduction -- 1. Under the Neon Rainbow: Colour and Neo-Noir -- 2. Audio-Noir: Audiovisuality in Neo-Modernist Noir -- 3. Paranoia and Nostalgia: Sonic Motifs and Songs in Neo-Noir -- 4. The End of Work: From Double Indemnity to Body Heat -- 5. Worlds Without Consequence: Two Versions of Film Noir in the 1980s -- 6. From Lonely Streets to Lonely Rooms: Prefiguration, Affective Responses and the Max Payne Single-Player -- 7. The New Lower Depths: Paris in French Neo-Noir Cinema -- 8. The Shadow of Outlaws in Asian Noir: Hiroshima, Hong Kong and Seoul -- 9. British Neo-Noir and Reification: Croupier and Dirty Pretty Things -- 10. Laughter in the Dark: Irony, Black Comedy and Noir in the Films of David Lynch, the Coen Brothers and Quentin Tarantino -- 11. A Woman Scorned: The Neo-Noir Erotic Thriller as Revenge Drama -- 12. Neo-Noir's Fatal Woman: Stardom, Survival and Sharon Stone -- 13. Fatality Revisited: The Problem of 'Anxiety' in Psychoanalytic-Feminist Approaches to Film Noir -- 14. The Thin Men: Anorexic Subjectivity in Fight Club and The Machinist -- 15. Memento: Pasting Ourselves Together Through Cinema -- Filmography -- Index |
isbn |
9780231850476 9783110442472 9781906660178 |
url |
https://doi.org/10.7312/boul6018 https://www.degruyter.com/isbn/9780231850476 https://www.degruyter.com/document/cover/isbn/9780231850476/original |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/655 |
dewey-sort |
3791.43 3655 |
dewey-raw |
791.43/655 |
dewey-search |
791.43/655 |
doi_str_mv |
10.7312/boul6018 |
oclc_num |
948804689 |
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Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013 |
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