Rising Sun, Divided Land : : Japanese and South Korean Filmmakers / / Kate Taylor-Jones.

• Superior document: Title is part of eBook package: De Gruyter Asian Studies Backlist (2000-2014) eBook Package
• VerfasserIn: Taylor-Jones, Kate,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Physical Description: 1 online resource (224 p.) :; 16 B&W
• Other title: Frontmatter --; Contents --; Acknowledgments --; Introduction: Rising Sun and Divided Land --; Cinematic Japan and Korea: A Long and Turbulent History --; Im Kwon-taek and the March of Time --; Film Analysis: Chihwaseon --; Fukasaku Kinji and Beginning With a Bomb --; Film Analysis: Battle Royale --; Lee Chang-dong and the Trauma of History --; Film Analysis: Secret Sunshine --; The Legacy of a Violent Man: Kitano Takeshi --; Film Analysis: Hana-bi --; Twisted Histories: Park Chan-wook and the Legacy of Personal Trauma --; Film Analysis: Oldboy --; The Lone Woman: Kawase Naomi --; Film Analysis: Shara --; Bad Guy: Kim Ki-duk --; Film Analysis: Bad Guy --; Miike Takashi: Welcome to the Dark Side --; Film Analysis: Visitor Q --; Conclusion --; Bibliography --; Filmography and Further Viewing Suggestions --; Key Electronic Resources for Japanese and Korean Film --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231850445; 9783110649772; 9783110442472
• DOI: 10.7312/tayl16586
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Kate Taylor-Jones.

Rising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.