The Cinema of Richard Linklater : : Walk, Don't Run / / Rob Stone.

• Superior document: Title is part of eBook package: De Gruyter Columbia University Press eBook-Package Backlist 2000-2013
• VerfasserIn: Stone, Rob,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2013]; ©2013
• Year of Publication: 2013
• Language: English
• Series: Directors' Cuts
• Physical Description: 1 online resource (192 p.) :; 20
• Other title: Frontmatter --; Contents --; Acknowledgements --; Introduction: Walk, Don't Run: The Cinema of Richard Linklater --; 1. Locating Linklater --; 2. Crafting Contradictions --; 3. The Form and Content of Slack --; 4. American Art House --; 5. Dreamstate, USA: The Metaphysics of Animation --; 6. The Spaces In Between --; Filmography --; Bibliography --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231850407; 9783110442472
• DOI: 10.7312/ston16552
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Rob Stone.

From Slacker (1991) to The School of Rock (2003), from Before Sunrise (1995) to Before Sunset (2004), from the walking and talking of his no/low-budget American independent films to conversing with the philosophical traditions of the European art house, Richard Linklater's films are some of the most critical, political, and spiritual achievements of contemporary world cinema. Examinations of Linklater's collaborative working practices and deployment of rotoscoping and innovative distribution strategies all feature in this book, which aspires to walk and talk with the filmmaker and his films. Informed by a series of original interviews with the artist, in both his hometown and frequent film location of Austin, Texas, this study of the director who made Dazed and Confused (1993), A Scanner Darkly (2006), and Bernie (2011) explores the theoretical, practical, contextual, and metaphysical elements of these works along with his documentaries and side-projects and finds fanciful lives and lucid dreams have as much to do with his work as generally alternative notions of America, contemporary society, cinema, and time.Â