Turn the World Upside Down : : Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean / / Imani D. Owens.
In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement,...
Saved in:
| Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2023 |
|---|---|
| VerfasserIn: | |
| Place / Publishing House: | New York, NY : : Columbia University Press, , [2023] ©2023 |
| Year of Publication: | 2023 |
| Language: | English |
| Series: | Black Lives in the Diaspora: Past / Present / Future
|
| Online Access: | |
| Physical Description: | 1 online resource |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGMENTS
- PROLOGUE
- PART I. Writing the Crossroads
- Chapter One. GEORGIA DUSK AND PANAMA GOLD
- Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY
- PART II. Performing the Archive
- Chapter Three. “CUBAN EVENING”
- Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD”
- CODA. Toward an Ontological Sovereignty
- NOTES
- BIBLIOGRAPHY
- INDEX