Migrant Aesthetics : : Contemporary Fiction, Global Migration, and the Limits of Empathy / / Glenda R. Carpio.

• VerfasserIn: Carpio, Glenda R.,
• Place / Publishing House: New York, NY : : Columbia University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Series: Literature Now
• Physical Description: 1 online resource
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; Introduction: Migrant Aesthetics --; Chapter One. Migrant Anonymity: Strategic Opacity in Dinaw Mengestu and Teju Cole --; Chapter Two. Migrant Refraction: Aleksandar Hemon’s Anti- Autobiography --; Chapter Three. Migrant Solidarity: Valeria Luiselli’s Echo Canyon --; Chapter Four. Carceral Migration: Julie Otsuka’s Internment Novels --; Chapter Five. Apocalypse and Toxicity: Junot Díaz’s Migrant Aesthetics --; Chapter Six. Carceral Migration II: The Flores Declarations and Edwidge Danticat’s Brother, I’m Dying --; Epilogue. “Chinga La Migra”— Karla Cornejo Villavicencio’s The Undocumented Americans --; NOTES --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780231557023
• DOI: 10.7312/carp20756
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Glenda R. Carpio.

By most accounts, immigrant literature deals primarily with how immigrants struggle to adapt to their adopted countries. Its readers have come to expect stories of identity formation, of how immigrants create ethnic communities and maintain ties to countries of origin. Yet such narratives can center exceptional stories of individual success or obscure the political forces that uproot millions of people the world over.Glenda R. Carpio argues that we need a new paradigm for migrant fiction. Migrant Aesthetics shows how contemporary authors—Teju Cole, Dinaw Mengestu, Aleksandar Hemon, Valeria Luiselli, Julie Otsuka, and Junot Díaz—expose the historical legacies and political injustices that produce forced migration through artistic innovation. Their fiction rejects the generic features of immigrant literature—especially the acculturation plot and the use of migrant narrators as cultural guides who must appeal to readerly empathy. They emphasize the limits of empathy, insisting instead that readers recognize their own roles in the realities of migration, which, like climate change, is driven by global inequalities. Carpio traces how these authors create literary echoes of the past, showing how the history of (neo)colonialism links distinct immigrant experiences and can lay the foundation for cross-ethnic migrant solidarity. Revealing how migration shapes and is shaped by language and narrative, Migrant Aesthetics casts fiction as vital testimony to past and present colonial, imperial, and structural displacement and violence.